An engrossing memoir in which a photojournalist records both the precursors to today’s conflicts in the Middle East and her own deeply felt conviction that news coverage of the region actually increases the conflicts there.
"You're going where?" Carol Spencer Mitchell's father demanded as she set off in 1984 to cover the Middle East as a photojournalist for Newsweek and other publications. In this intensely thoughtful memoir, Spencer Mitchell probes the motivations that impelled her—a single Jewish woman—to document the turmoil roiling the Arab world in the 1980s and 1990s, as well as how her experiences as a photojournalist compelled her to set aside her cameras and reexamine the way images are created, scenes are framed, and "real life" is packaged for specific news stories.
In Danger Pay, Spencer Mitchell takes us on a harrowing journey to PLO military training camps for Palestinian children and to refugee camps in the Gaza Strip before, during, and after the first intifada. Through her eyes, we experience the media frenzy surrounding the 1985 hijackings of TWA Flight #847 and the Italian cruise liner Achille Lauro. We meet Middle Eastern leaders, in particular Yasser Arafat and King Hussein of Jordan, with whom Spencer Mitchell developed close working relationships. And we witness Spencer Mitchell's growing conviction that the Western media's portrayal of conflicts in the Middle East actually helps to fuel those conflicts—a conviction that eventually, as she says, "shattered [her] career."
Although the events that Spencer Mitchell records took place decades ago, their repercussions reverberate in the MIddle Eastern conflicts of today. Likewise, her concern about "the triumph of image over reality" takes on greater urgency as our knowledge of the world becomes ever more filtered by virtual media.
Carol Spencer Mitchell (1954-2004) covered the Middle East and North Africa for many leading U.S. and European publications, including Newsweek, Time, U.S. News & World Report, Look, the New York Times, the Washington Post, the Los Angeles Times, Newsday, and the Philadelphia Inquirer.
Ellen Spencer Susman, Carol's sister, served as Director of the US Department of State's Art in Embassies program during the Obama administration. She serves on the boards of various art museums, including the Hirschhorn Museum and Sculpture Garden. Ellen resides in Houston, Texas.
Reading Danger Pay was a harrowing experience. Being a photojournalist on the front lines in the Middle East is no easy assignment. Writing about it with such vivid detail and thoughtful analysis is an equally impressive feat. This is a truly moving memoir in every way.
~Douglas Brinkley, Rice University, author of The Great Deluge: Hurricane Katrina, New Orleans, and the Mississippi Gulf Coast and editor of The Reagan Diaries
A deeply felt and moving account from an enterprising and conscientious news photographer who worked the always busy beat of the Middle East in the last, great days of film photography.
28. Photo-Realism, the "Real" Picture, and the Ingathering
29. The Striptease
Part VII: The Mother of All Battles
30. What the Hell Am I Doing?
31. The Sealed Room
32. The Striptease, Take 2
33. The Old Man
34. War on Another Front
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