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November 1990 #9

Genders
Lana's "Imitation": Melodramatic Repetition and the Gender Performative
Judith Butler
The Greatest Story (N)ever Told: The Spectacle of Recantation
Helena Michie
Hollywood Melodrama, Douglas Sirk, and the Repression of the Female Subject (Magnificent Obsession)
Michael Selig
Engendering Imaginary Modernism: Henri Matisse's Bonheur de vivre
Margaret Werth
Double-dealing Fictions
Sarah Schuyler
Nation, Class, and Gender: Tennyson's Maud and War
Joseph Bristow
Closet Dramas: Homosexual Representation and Class in Postwar British Theater
Alan Sinfield

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