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Summer 1989, 28:4

Digressions at the Cinema: Reception and Mass Culture
Barbara Klinger
The Figure in the Monitor: Beckett, Lacan, and Video
Catherine Russell
Visible Difference and Flex Appeal: The Body, Sex, Sexuality, and Race in the "Pumping Iron" Films
Christine Anne Holmlund
Society for Cinema Studies Constitution
Professional Notes
Robert Lang, Jane Sloan