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Spring 1988, 27:3

JCMS: Journal of Cinema and Media Studies

Editor's Introduction
Virginia Wright Wexman
ApProppriations and ImPropprieties: Problems in the Morphology of Film Narrative
David Bordwell
The Censorship of "Blonde Venus": Textual Analysis and Historical Method
Lea Jacobs
Looking for the "Great Whatzit": "Kiss Me Deadly" and Film Noir
Robert Lang
Robert Ray Responds to Leland Poague's "All I Can See Is the Flags': "Fort Apache" and the Visibility of History" ("Cinema Journal," Winter 1988) by Robert Ray
Leland Poague Replies by Leland Poague
Linda Williams Responds to Stephen Prince's "The Pornographic Image and The Practice of Film Theory" ("Cinema Journal," Winter 1988) by Linda Williams
Stephen Prince Replies by Stephen Prince
Professional Notes
Mirella Jona Affron