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Volume 36 (2018)

Studies in Latin American Popular Culture
Paving the Way to Pavones: Property Wars, Narratives of Discovery, and the Fantasy of Surfing Paradise
Alexander Sotelo Eastman
Shift in Social Character: Charro Cultural Representations in Mexican Popular Culture
Beatriz Aldana Márquez
The Migration Genre in La jaula de oro: Voids and Virtues
Richard Curry
From Papiamentu to Afro-Catholic Brotherhoods: An Interdisciplinary Analysis of Iberian Elements in Curaçaoan Popular Culture
Jeroen Dewulf
Documenting Precarity and Other Ghostly Remains: Passivity as Political Practice in Betzabé García's Documentary Los reyes del pueblo que no existe
Lilia Adriana Pérez Limón
Representations of Black Womanhood in Mexico
Selfa A. Chew
"Entre campo y grabación": Violeta Parra y las tecnologías migrantes
Gonzalo Montero
Repositioning the Popular: The Hybrid Aesthetics of Violeta Parra's Paintings Machitún, Las tres Pascualas, and Casamiento de negros
Lorna Dillon
Taming the Wild Woman in Twenty-First-Century Mexican Telenovelas
Julee Tate

Book Reviews and Review Essays

El Eternauta, Daytripper, and Beyond: Graphic Narrative in Argentina and Brazil by David William Foster
Reviewed by Luciano Martínez
Chica Lit: Popular Latina Fiction and Americanization in the Twenty-First Century by Tace Hedrick
Reviewed by Aïda Valenzuela
The Great Woman Singer: Gender and Voice in Puerto Rican Music by Licia Fiol-Matta
Reviewed by Frances R. Aparicio
Nicaragua Emerging from the Shadow of the Eagle by Thomas W. Walker and Christine J. Wade
Reviewed by José Juan Colín
Camelia la Texana y otras mujeres de la narcocultura ed. by Juan Carlos Ramírez-Pimienta and María Socorro Tabuenca Córdoba
Reviewed by Aldona Bialowas Pobutsky
Radio in Revolution: Wireless Technology and State Power in Mexico, 1897–1938 by J. Justin Castro
Reviewed by Sonia Robles
Territories of Conflict ed. by Andrea Fanta Castro, Alejandro Herrero-Olaizola, and Chloe Rutter-Jensen
Reviewed by Sabrina S. Laroussi
Grupo Antillano: The Art of Afro-Cuba/El arte de Afro-Cuba by Alejandro Fuente and Julia Romero
Reviewed by John Corso Esquivel
Latin American Women Filmmakers: Social and Cultural Perspectives by Traci Roberts-Camps
Reviewed by Georgia Seminet