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Winter/Spring 2005, XXXVI:1

Asian Music
Relationships between Prosodic and Musical Meters in the Beste Form of Classical Turkish Music
Tolga Bektas
The Donkey's Ears Go Flop, Flop: Miyagi Michio's Koto Works for Children
Anne Prescott
Collaborative Music in the Performance of the Balinese Shadow Theater
I Nyoman Sedana
Pandits in the Movies: Contesting the Identity of Hindustani Classical Music and Musicians in the Hindi Popular Cinema
Greg Booth
Cultural Politics: The African American Connection in Asian American Jazz-based Music
Susan M. Asai
Review Essay: Wayan Gandera and the Hidden History of Gamelan Gong Kebyar
Michael Tenzer

Book Reviews

José S. Buenconsejo
Songs and Gifts at the Frontier: Person and Exchange in the Agusan Manobo Possession Ritual, Philippines
(Jeremy Wallach)
George E. Ruckert
Music in North India: Experiencing Music, Expressing Culture
(Thomas M. Hunter)

Audio Recording Review

(Henry Johnson)

Video Recording Reviews

Amy Catlin-Jairazbhoy, narrator, with Nazir Ali Jairazbhoy
From Africa to India: Music of the Sidis and the Indian Ocean Diaspora
(Amelia Maciszewski)
Wim van Zanten and Bart Barendregt
Told in Heaven to Become Stories on Earth: A Study of Change in Randai Theatre of the Minankabau in West Sumatra using Visual Documentation from the 1930s
(Veit Erlmann)