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Fall/Winter 2003/2004, XXXV:1

Asian Music
The That System of Seventeenth-Century North Indian Ragas: a Preliminary Report on the Treatises of Kamilkhani
Katherine Butler Brown
The Dragon Taught Us: Hmong Stories about the Origin of the Free Reed Pipes Qeej
Catherine Falk
The West's Songs, Our Songs: The Introduction and Adaptation of Western Popular Song in Vietnam before 1940
Jason Gibbs
Religious Supremacy, Anti-imperialist Nationhood and Persian Musicology after the 1979 Revolution
Azin Movahed
An Old Tradition but a Very New Practice: Accompaniment and the Saturation Aesthetic in Indian Music
John Napier

Book Reviews

Carole Pegg
Mongolian Music, Dance, and Oral Narrative: Performing Diverse Identities
(Peter K. Marsh)
Adelaida Reyes
Songs of the Caged, Songs of the Free: Music and the Vietnamese Refugee Experience
(Tong Soon Lee)
Deborah Wong
Sounding the Center: History and Aesthetics in Thai Buddhist Performance
(Andrew Shahriari)
Andrew F. Jones
Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age
(J. Lawrence Witzleben)

Audio Recording Reviews

Anderson Bakewell, recordings and notes
The Yemen Tihama: trance & dance music from the Red Sea coast of Arabia
Michael Frishkopf
Zhang Xingrong, recordings; Zhang Xingrong, Helen Rees and Jack Body, notes
South of the Clouds: Instrumental Music of Yunnan, Vols. 1-2
Joseph S. C. Lam
Hiromitsu Agatsuma, Tetsuro Kadoya, Kazumi Harasawa, and Seiichi Kyoda, producers
Hiromitsu Agatsuma's Beams
Jennifer M. Matsue

Video Recording Review

Martin Clayton and Simon Cook, videographers
Wayang Golek: Performing Arts of Sunda (West Java)
Sean Williams