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Winter 2002, 41:2

The Ambiguous Aura of Hollywood Stars in Avant-Garde Found-Footage Films
William C. Wees
The Staging of the Bourgeois Imaginary in The Cook, the Thief, His Wife, and Her Lover (1990)
Ruth D. Johnston
Kieślowski and the Antipolitics of Color: A Reading of the "Three Colors" Trilogy
Paul Coates
Godard's Comment Ça Va (1976): From Information Theory to Genetics
Kevin J. Hayes
An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937
Peter Stanfield
Sounding Images in Silent Film: Visual Acoustics in Murnau's Sunrise
Melinda Szaloky
Archival News
Eric Schaefer, Dan Streible
Professional Notes
Paula J. Massood, Sudhir Mahadevan