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Summer 2001, 40:4

JCMS: Journal of Cinema and Media Studies
The Legacy of Mario Camerini in Vittorio De Sica's The Bicycle Thief (1948)
Carlo Celli
A Mountain of a Ship: Locating the Bergfilm in James Cameron's Titanic
Robert von Dassanowsky
Orientalism as Alterity in Israeli Cinema
Dorit Naaman
Reigniting Japanese Tradition with "Hana-Bi"
Darrell William Davis
Kurosawa's Dreams: A Cinematic Reflection of a Traditional Japanese Context
Zvika Serper
Archival News
Eric Schaefer, Dan Streible
Professional Notes
Paula J. Massood, Anne Morey