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The American Wall

The American Wall
From the Pacific Ocean to the Gulf of Mexico

This deluxe edition—two beautifully produced volumes in a slip case—presents dramatic photographs and eloquent trilingual testimonies that recount the environmental, social, and economic costs of trying to wall off Mexico from the United States.

MS Zephyr Publishing, Paris
September 2011
This book is out of print and no longer available.
289 pages | 12.5 x 15 | 100 quadratone photos |

Since mid-2006, Maurice Sherif has been photographing segments of the U.S.-Mexico border wall from the American side and questioning how the United States—which sees itself as a champion of law, democracy, and human rights—came to engage in such a project. In his words, "the wall is an egregious violation of human rights and a political act with global ramifications for the United States. It is not only a physical symbol, but also a legal example of a national trend toward exceptionalism and exclusion."

The American Wall is a photographic record of the wall segments at midday. The photographs, taken in the searing heat of the desert, are stark. They reveal the tactile harshness of the metal structure and the emptiness of its surroundings. The wall repels human activity, and its construction has made barren the surrounding landscape, once rich in biodiversity. In perhaps the final irony of this photographic documentation, the heat of the borderlands melted the film, framing many of the images in random tatters.

The lack of comprehensive planning for this wall has included a failure to consider the long-term environmental, social, and economic costs of altering the border with a physical barrier. According to Sherif and his fellow contributors, while some people to the north will entertain the illusion of separation from those feared as outsiders or enemies, the wall fails in its stated purpose of enhancing the safety and security of the people and place it is purported to protect. Those south of the border wall will continue to risk their lives in hopes of finding better opportunities on the other side.

Book One presents one hundred dramatic photographs of the wall, using the printing technique known as quadratone.

Book Two includes thought-provoking essays by these authorities on border issues:

  • Charles Bowden, journalist and author of Murder City: Ciudad Juárez and the Global Economy's New Killing Fields and Dreamland: The Way Out of Juárez (with Alice Leora Briggs)
  • Professor Miguel Diaz-Barriga (Swarthmore College) and Dr. Margaret E. Dorsey (Indiana University), anthropologists
  • Professor Scott Nicol (South Texas College), artist and spokesperson for No Border Wall
  • Professor Denise Gilman (University of Texas Law School), a specialist in immigration law
  • James Tryon, M.D.
  • Martha Davidson, independent researcher and writer for the National Civil Rights Museum and the Smithsonian Institution

All essays are in English, Spanish, and French. A specially commissioned map shows the wall's deviations from the geopolitical border.


Maurice Sherif is a fine art photographer who characterizes his recent work as "social documentary." Using photography to oppose injustice, he sees his role as that of a social observer, who through his work comments on the world around him. His published works include Lueur des Ténèbres (Last Glow before Darkness), a portfolio of ten signed dust-grain photogravures of the glaciers of Patagonia, and Lumière Métallique (Metallic Light), a book of tritone photographs.