Back to top

Why Marianne Faithfull Matters

Why Marianne Faithfull Matters

A remarkable feminist history and biography that features fragments from the five-decade career of an iconic artist, who, despite a private life that overshadowed much of her early work, sculpted her own musical rebirth.

Series: Music Matters

Sales restrictions: Not for sale in the Commonwealth (except Canada)
July 2021
Add to cart
192 pages | 5 x 7 |

First as a doe-eyed ingénue with “As Tears Go By,” then as a gravel-voiced phoenix rising from the ashes of the 1960s with a landmark punk album, Broken English, and finally as a genre-less icon, Marianne Faithfull carved her name into the history of rock ’n’ roll to chart a career spanning five decades and multiple detours. In Why Marianne Faithfull Matters, Tanya Pearson crafts a feminist account that explains the musician’s absence from the male-dominated history of the British Invasion and champions the eclectic late career that confirmed her redemption.

Putting memoir on equal footing with biographical history, Pearson writes about Faithfull as an avid fan, recovered addict, and queer musician at a crossroads. She’s also a professional historian unafraid to break from the expectations of the discipline if a “titty-centered analysis” or astrology can illuminate the work of her subject. Whether exploring Faithfull’s rise to celebrity, her drug addiction and fall from grace as spurned “muse,” or her reinvention as a sober, soulful chanteuse subverting all expectations for an aging woman in music, Pearson affirms the deep connections between listeners and creators and reveals, in her own particular way, why Marianne Faithfull matters.

  • Introduction: Women Are Born Cultural Archaeologists
  • I. The “It Girl” of the Swinging Sixties
    • Parents
    • The British Invasion
    • Pop Stardom
    • Breasts
    • “Wild Horses Couldn’t Drag Me Away”
    • “It’s All Over Now, Baby Blue”
  • II. Falling from Grace
    • Trauma Is a Gateway Drug
    • A Punk Comeback
  • III. The Chanteuse
    • Strange Weather
    • The 90s: A Good Decade for Women in Rock
    • Before the Poison
    • “In My Own Particular Way”
    • Capricorn
    • Love in the Time of Coronavirus
  • Epilogue: Memory, “Show Me the Dick”
  • Acknowledgments
  • Discography and Filmography
  • Notes

Tanya Pearson is a public historian and director of the Women of Rock Oral History Project, a collection of digital interviews and written transcripts documenting the lives and careers of women-identified rock musicians. Her work has appeared in Bust Magazine, Memoir Mixtapes, and Oral History Journal.


“Fans of Faithfull will find so much to love in this book, and it will surely convince those who don't know anything about her beyond the label of 'Jagger's pathetic, junkie ex-girlfriend' that Faithfull's enormous body of work is worth a proper listen. But the true joy of Why Marianne Faithfull Matters has relatively little to do with its specific subject and everything to do with the voice of its author. Pearson deserves the widest possible audience and her mission to make rock music more inclusive deserves expansive, expensive support. She is analytically lean and self-aware where most rock critics are bloated and self-indulgent. She is organically super funny where most rock critics are cocky showboats.”

“A passionate and timely tome.”
Please Kill Me

“Like Faithfull, Pearson is a musician. She's also experienced addiction, and continually pushes back against the trope that substance abuse is a yes/no, before/after proposition...In Pearson's account, Faithfull matters for her flaws as much as her triumphs; the book doesn't lionize Faithfull or inflate the influence of her catalog, but rather makes the case for Faithfull as an artist perpetually in the process of becoming.”
The Current

“With vulnerability and a smart sense of humor, Tanya Pearson exposes the profoundly misogynistic music industry that abused Marianne Faithfull, and reveals how addiction recovery can lead you back to your song. This is a heroic and hilarious text that creates space for middle-aged women musicians doing our best work.”
JD Samson, Le Tigre/MEN

“Witty, passionate, and provocative. Finally, a feminist appreciation for Marianne Faithfull’s unique career.”
Vivien Goldman, author of Revenge of the She-Punks