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Why Marianne Faithfull Matters

Why Marianne Faithfull Matters

A remarkable feminist history and biography that features fragments from the five-decade career of an iconic artist, who, despite a private life that overshadowed much of her early work, sculpted her own musical rebirth.

Series: Music Matters

Sales restrictions: Not for sale in the Commonwealth (except Canada)
July 2021
Not yet published
$18.95

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This book will be available in June 2021.
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168 pages | 5 x 7 |
ISBN: 
978-1-4773-2116-4
Description: 

First as a doe-eyed ingénue with “As Tears Go By,” then as a gravel-voiced phoenix rising from the ashes of the 1960s with a landmark punk album, Broken English, and finally as a genre-less icon, Marianne Faithfull carved her name into the history of rock ’n’ roll to chart a career spanning five decades and multiple detours. In Why Marianne Faithfull Matters, Tanya Pearson crafts a feminist account that explains the musician’s absence from the male-dominated history of the British Invasion and champions the eclectic late career that confirmed her redemption.

Putting memoir on equal footing with biographical history, Pearson writes about Faithfull as an avid fan, recovered addict, and queer musician at a crossroads. She’s also a professional historian unafraid to break from the expectations of the discipline if a “titty-centered analysis” or astrology can illuminate the work of her subject. Whether exploring Faithfull’s rise to celebrity, her drug addiction and fall from grace as spurned “muse,” or her reinvention as a sober, soulful chanteuse subverting all expectations for an aging woman in music, Pearson affirms the deep connections between listeners and creators and reveals, in her own particular way, why Marianne Faithfull matters.

Contents: 
  • Introduction: Women Are Born Cultural Archaeologists
  • I. The “It Girl” of the Swinging Sixties
    • Parents
    • The British Invasion
    • Pop Stardom
    • Breasts
    • “Wild Horses Couldn’t Drag Me Away”
    • “It’s All Over Now, Baby Blue”
  • II. Falling from Grace
    • Trauma Is a Gateway Drug
    • A Punk Comeback
  • III. The Chanteuse
    • Strange Weather
    • The 90s: A Good Decade for Women in Rock
    • Before the Poison
    • “In My Own Particular Way”
    • Capricorn
    • Love in the Time of Coronavirus
  • Epilogue: Memory, “Show Me the Dick”
  • Acknowledgments
  • Discography and Filmography
  • Notes
Author: 

Tanya Pearson is a public historian and director of the Women of Rock Oral History Project, a collection of digital interviews and written transcripts documenting the lives and careers of women-identified rock musicians. Her work has appeared in Bust Magazine, Memoir Mixtapes, and Oral History Journal.