This collection of writings and speeches by Texas’s most renowned architect positions him among the leading midcentury modernist architects, including William Wurster, Louis Kahn, and I. M. Pei, who were his collaborators and intellectual peers.
Acclaimed for his designs of the Trinity University campus, the Little Chapel in the Woods, the Texas Instruments Semiconductor Components Division Building, and numerous private houses, O’Neil Ford (1905–1982) was an important twentieth-century architect and a pioneer of modernism in Texas. Collaborating with artists, landscape architects, and engineers, Ford created diverse and enduringly rich works that embodied and informed international developments in modern architecture. His buildings, lectures, and teaching influenced a generation of Texas architects.
O’Neil Ford on Architecture brings together Ford’s major professional writings and speeches for the first time. Revealing the intellectual and theoretical underpinnings of his distinctive modernism, they illuminate his fascination with architectural history, his pioneering uses of new technologies and construction systems, his deep concerns for the landscape and environment, and his passionate commitments to education and civil rights. An interlocutor with titans of the twentieth century, including Louis Kahn and J. Robert Oppenheimer, Ford understood architecture as inseparable from the social, political, and scientific developments of his day. An introductory essay by Kathryn E. O’Rourke provides a critical assessment of Ford’s essays and lectures and repositions him in the history of US architectural modernism. As some of his most important buildings turn sixty, O’Neil Ford on Architecture demonstrates that this Texas modernist deserves to be ranked among the leading midcentury American architects.
- Introduction: The Language of O’Neil Ford, by Kathryn E. O’Rourke
- Part I. The Making of a Modern Architect
- 1927. Architecture of Early Texas (with David R. Williams), Part 1
- 1927. Architecture of Early Texas (with David R. Williams), Part 2
- 1928. Architecture of Early Texas (with David R. Williams), Part 3
- 1932. Organic Building
- Part II. Growth and Synthesis
- 1940. Review of Williamsburg—Today and Yesterday
- 1951. O’Neil Ford Lectures on Slab Lifting
- 1953. Statement on Behalf of the San Antonio Conservation Society
- 1955. Imagineering
- 1959. History and Development of La Villita Assembly Hall
- 1960. Response to J. Robert Oppenheimer, American Institute of Architects Annual Convention
- Part III. In and Against the World
- 1964. Texas Idyll
- 1964. The Condition of Architecture
- 1965. History and Development of the Spanish Missions in San Antonio
- 1966. Mr. O’Neil Ford’s Speech at the Sculpture and Environment Symposium
- 1967. The End of a Beginning
- 1968. Culture—Who Needs It?
- 1968. Physical Planning versus or for the Individual
- Part IV. Looking Back, Looking Forward
- 1978. Foreword to Lynn Ford: Texas Architect and Craftsman
- 1981. Lessons in Looking
- 1981. Eulogy for Tom Stell
- 1982. Foreword to David R. Williams, Pioneer Architect
- Image Credits
"The architectural career of O’Neil Ford spanned the roaring twenties to the turbulent sixties. Ford drew inspiration from the early Texas vernacular but went on to embrace innovative modern technology and planning. Through it all he evinced a deep love of ordinary people, ancient cities, and unspoiled natural landscapes. Kathryn E. O’Rourke has provided a substantial and insightful introduction to Ford and his work and gathers together Ford’s lectures and published writings, restoring his distinctive voice and his distinctive view of how traditional values still apply in the modern world."
Kenneth Hafertepe, Baylor University, author of The Material Culture of German Texans
“This much-needed and timely collection of the work of Texas architect O'Neil Ford will help broaden the canon and deepen our understanding of modernism. Thoughtfully edited and introduced by Kathryn E. O'Rourke, it presents the thinking of an influential and prolific practitioner who has long deserved to be better known.”
Kathryn E. Holliday, University of Texas at Arlington, editor of The Open-Ended City: David Dillon on Texas Architecture