A provocative examination of how the discourse and practice of modern architecture was transformed by its encounter with large populations and the volatile politics of twentieth-century Argentina.
Series: Lateral Exchanges
Throughout the early twentieth century, waves of migration brought working-class people to the outskirts of Buenos Aires. This prompted a dilemma: Where to situate these restive populations relative to the city’s spatial politics? Might housing serve as a tool to discipline their behavior?
Enter Antonio Bonet, a Catalan architect inspired by the transatlantic modernist and surrealist movements. Ana María León follows Bonet's decades-long, state-backed quest to house Buenos Aires's diverse and fractious population. Working with totalitarian and populist regimes, Bonet developed three large-scale housing plans, each scuttled as a new government took over. Yet these incomplete plans—Bonet's dreams—teach us much about the relationship between modernism and state power.
Modernity for the Masses finds in Bonet's projects the disconnect between modern architecture’s discourse of emancipation and the reality of its rationalizing control. Although he and his patrons constantly glorified the people and depicted them in housing plans, Bonet never consulted them. Instead he succumbed to official and elite fears of the people's latent political power. In careful readings of Bonet's work, León discovers the progressive erasure of surrealism's psychological sensitivity, replaced with an impulse, realized in modernist design, to contain the increasingly empowered population.
“Modernity for the Masses offers a fascinating exploration of what happened when avant-garde modernist architecture met the social and political realities of mid-twentieth-century Latin America. Focused on the transatlantic crossings of Antonio Bonet and his projects for Buenos Aires, this book is replete with insights on the era’s spatial politics. Written with great flair, León’s book shows how modernist architects yearned to transform the lives of social majorities, while demonstrating how popular movements and state power shaped their scope of action. It makes an intriguing case for why failed dreams can reveal as much as those that were realized.”
Eduardo Elena, University of Miami, author of Dignifying Argentina: Peronism, Citizenship, and Mass Consumption
“Modernity for the Masses poses two key modernist questions: how do you house 'the masses,' and how do you improve city life with built form? Ana María León explores answers through a study of Antonio Bonet’s largely unbuilt housing proposals in Buenos Aires—work that would otherwise be ignored by the canons of modern history—and along the way maps out the fertile intellectual entanglements that informed Bonet’s work as an architect, theorist, and urbanist. This is an important work that will appeal to anyone interested in Latin American architecture or modern architecture in general.”
Robert Alexander González, University of New Mexico, author of Designing Pan-America: U.S. Architectural Visions for the Western Hemisphere
“In Modernity for the Masses, Ana María León illuminates the evolution of the discourse surrounding modernist multifamily housing in Argentina’s capital between the 1930s and the 1950s. In Buenos Aires, as elsewhere in and beyond Latin America, this discourse evolved as a result of interactions between architects, planners, politicians, artists, and writers. With fluid precision, Ana María León places the work of architect Antonio Bonet within an international cast of characters--Le Corbusier, Jorge Luis Borges, Grete Stern, and others--tracing their conversations within and across their fields. The result is a thoroughly researched, methodologically innovative study that contributes in important ways not only to the literature on twentieth-century architecture and urbanism in Argentina, but to scholarly understanding of the transnational and transdisciplinary nature of modernist architecture, art, and literature on both sides of the Atlantic in the decades before and after World War II.”
Jennifer Josten, University of Pittsburgh, author of Mathias Goeritz: Modernist Art and Architecture in Cold War Mexico