A beautifully illustrated and contextualized chronicle of the Chase residence—one of Houston's finest modernist houses—designed by John S. Chase, the first African American licensed architect in Texas.
Series: Tower Books Imprint
The low-slung brick home that architect John Saunders Chase completed for his own family in 1959 was Houston’s first modernist house with a true interior courtyard, a form with which other progressive architects were only starting to experiment. It was equally radical that he built it at all. When Chase graduated from The University of Texas School of Architecture in 1952—the first African American to do so—no Houston architecture firm would hire him. Chase petitioned the state for special permission to take the licensing exam, becoming the first African American registered as an architect in Texas. By 1959, he ran his own thriving firm and had established a position of remarkable influence in Houston’s social, political, and economic life. The Chase Residence, in both its original version and after a fundamental alteration undertaken in 1968, is a testament to Chase’s accomplishments.
Beautifully illustrated, John S. Chase—The Chase Residence examines how the architecture of this seminal but little-known house frames the life lived within it. It places the house in the larger context of Chase’s architectural career and his times. The book is also intended for readers broadly interested in the relationship between American architecture and society.
“John S. Chase—The Chase Residence takes a magnifying glass to Chase’s trailblazing career, providing context to the history of Black architecture in the American South.”
“What makes John S. Chase—The Chase Residence so unique is its unprecedented look beyond the checklist of firsts, as [David] Heymann and historian Stephen Fox shed much needed light on Chase’s actual work as an architect. They do this by offering a thoroughly detailed ode to Chase’s most personal project: his dream home.”
“With detailed new drawings, candid family photos, and personal anecdotes based on interviews with Chase’s wife, Drucie, and other relatives, Heymann traces how the iterations of the home reveal the architect’s growth as a designer and community leader, as well as his evolving aesthetic, which, earlier in Chase’s career, tended toward Mies, then later skewed Wright. Fox, an architectural historian, frames Chase’s work in the broader historic and cultural context of the time.”