The colorful "Punk Professor", new-wave musician, and critic/filmmaker spins a dazzling survey of women in punk, from the genre's inception in 1970s London to the current voices making waves around the globe.
As an industry insider and pioneering post-punk musician, Vivien Goldman’s perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes—identity, money, love, and protest—to explore what makes punk such a liberating art form for women.
With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song “Free Money,” for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name pays homage to a Hindu goddess, describes the influence of her Gullah ancestors on her music, while the late Poly Styrene's daughter reflects on why her Somali-Scots-Irish mother wrote the 1978 punk anthem “Identity,” with the refrain “Identity is the crisis you can't see.” Other strands feature artists from farther afield (including in Colombia and Indonesia) and genre-busting revolutionaries such as Grace Jones, who wasn't exclusively punk but clearly influenced the movement while absorbing its liberating audacity. From punk's Euro origins to its international reach, this is an exhilarating world tour.
- Womanifesto: The Opening Vamp
- 1. Girly Identity: Who Be Me?
- 2. Money: Are We Our Stuff?
- 3. Love/Unlove: Busting Up the Binary
- 4. Protest: Woman the Barricades
- Outro: Our Coda
“While Goldman jumps around, hopping from band to band, she places the female musical foment within the critical context of feminist theory and the cultural context of society’s upheaval...Known as the 'Punk Professor' as an adjunct at NYU, Goldman extends her authority here.”
“In this witty, must-read introduction to punk music (complete with generously curated playlists), Vivien Goldman sifts through decades of firsthand encounters with feminist musicians to identify how and where these colorful she-punks have arrived--and where they might be headed.”
Tina Weymouth, Talking Heads, Tom Tom Club