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Folk-Songs of the Southern United States

Folk-Songs of the Southern United States

Series: American Folklore Society Bibliographical and Special Series, Volume 19

January 1967
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282 pages | 6 x 9 |

“The spirit of balladry is not dead, but slowly dying. The instincts, sentiments, and feelings which it represents are indeed as immortal as romance itself, but their mode of expression, the folksong, is fighting with its back to the wall, with the odds against it in our introspective age.” This statement by Josiah Henry Combs is that of a man who grew up among the members of a singing family in one of the last strongholds of the ballad-making tradition, the Southern Highlands of the United States.

Combs was born in 1886 in Hazard, Kentucky, the heart of the mountain feud area—a significant background for one who was to take a prominent part in the “ballad war” of the 1900s. Combs’s intimate knowledge of folk culture and his grasp of the scholarly literature enabled him to approach the ballad controversy with common sense as well as with some of the heat generated by the dispute.

Although in the early twentieth century there was probably no more controversy about the nature of the folk and folksong than there is today, it was a different kind of controversy. Many theories of the origins of folksong current at that time, such as the alleged relationship of traditional ballads to “primitive poetry,” did not take into account contemporary evidence. Combs said, “Here as elsewhere, I go directly to the folk for much of my information, allowing the songs, language, names, customs . . .
of the people to help settle the problem of ancestry. . . . In brief, a conscientious study of the lore of the folk cannot be separated from the folk itself.”

Folk-Songs du Midi des États-Unis, published as a doctoral dissertation at the University of Paris in 1925, was an introduction to the study of the folksong of the Southern Appalachians, together with a selection of folksong texts collected by Combs. Folk-Songs of the Southern United States, the first publication of that work in English, is based on the French text and Combs’s English draft. To this edition is appended an annotated listing of all songs in the Josiah H. Combs Collection in the Western Kentucky Folklore Archive at the University of California, Los Angeles. The appendix also includes the texts of selected songs.

The aim of this edition is to make the contents of the original volume more readily available in English and to provide an index to the Combs Collection that may be drawn upon by students of folksong. The book also offers texts of over fifty songs of British and American origin as sung in the Southern Highlands.

  • Foreword
  • Preface
  • Part I
    • I. Topography of the Southern Highlands
    • II. Ancestry of the Highlanders
    • III. The Question of Origin or Authorship
    • IV. The Quest of the Folk-Song
    • V. An Attempt at Classification of Folk-Songs
    • VI. Songs of British Origin
    • VII. Native American Songs
    • VIII. The Highlander’s Music
    • IX. The Passing of the Folk-Song
    • Bibliography
  • Part II
    • Songs of British Origin
      • 1. The Broomfield Hill
      • 2. Fair Annie
      • 3. The Lass of Roch Royal
      • 4. Prince Robert
      • 5. Willie o Winsbury
      • 6. Mary Hamilton
      • 7. Bonnie James Campbell
      • 8. The Rantin Laddie
      • 9. Get Up and Bar the Door
      • 10. The Crafty Farmer
      • 11. The Jovial Tinker
      • 12. The Spanish Maid
      • 13. The Old Wife
      • 14. Kate and the Clothier
      • 15. There Was a Sea Captain
      • 16. The Jolly Boatsman
      • 17. Three Ships Came Sailing In
      • 18. The Gowans Are Gay
      • 19. Ryner Dyne
      • 20. Pretty Polly
      • 21. Slago Town
      • 22. To Cheer the Heart
      • 23. Come All Ye False Lovers
      • 24. Ranting Roving Lad
      • 25. The Soldier Bride’s Lament
      • 26. William Bluet
    • Native American Songs
      • 27. Brave Wolfe
      • 28. Floyd Frazier
      • 29. Talt Hall
      • 30. J. B. Marcum
      • 31. The Tolliver Song
      • 32. The Vance Song
      • 33. John Henry
      • 34. The Yew-Pine Mountains
      • 35. The Irish Peddler
      • 36. Poor Goens
      • 37. Rosanna
      • 38. William Baker
      • 39. Hiram Hubbert
      • 40. The C. & O. Wreck
      • 41. Pearl Bryan
      • 42. The Auxville Love
      • 43. Sweet Jane
      • 44. I’m Going To Join the Army
      • 45. Jack Combs
      • 46. The Black Mustache
      • 47. The Married Man
      • 48. Davy Crockett
      • 49. The Bugaboo
      • 50. The Rich and Rambling Boy
      • 51. Bob Sims
      • 52. Charles J. Guiteau
      • 53. Bad Tom Smith
      • 54. Ellen Smith
      • 55. Moonshiner
      • 56. The Gambler
      • 57. Jacob’s Ladder
      • 58. The Ship That Is Passing By
      • 59. We Have Fathers Gone to Heaven
      • 60. Who Am Dat a-Walkin’in de Co’n?
  • Appendix
  • An Annotated List of the Josiah H. Combs Collection of Songs and Rhymes
  • Index of Titles and First Lines of Song Texts

Josiah H. Combs (1886–1960) was a noted scholar of folklore and language who taught at several schools and universities. D. K. Wilgus (1918–1989) was Professor of English and Anglo-American Folksong at the University of California, Los Angeles.