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Black Panther

Black Panther

An exploration of the artistic and political importance of a pioneering film.

Series: 21st Century Film Essentials

July 2022
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256 pages | 5 x 7 |

Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn’t just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster.

Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impeccable pedigree to this lively and accessible study, finding in the utopianism of Black Panther a way of re-envisioning what a superhero movie can and should be while centering the Black creators, performers, and issues behind it. He considers the superheroic Black body; the Pan-African fantasy, feminism, and Afrofuturism of Wakanda; the African American relationship to Africa; the political influence of director Ryan Coogler’s earlier movies; and the entwined performances of Chadwick Boseman’s T’Challa and Michael B. Jordan’s Killmonger. Bukatman argues that Black Panther is escapism of the best kind, offering a fantasy of liberation and social justice while demonstrating the power of popular culture to articulate ideals and raise vital questions.

  • Preface
  • Introduction: Tell Me a Story
  • The Road to Wakanda
  • Black Panther’s Black Body
  • The Wakandan Dream
  • The Killmonger Problem
  • Conclusion: Why Do We Hide?
  • Appreciations
  • Notes
  • Index

Scott Bukatman is a professor of Film and Media Studies at Stanford University. He is the author of Matters of Gravity: Special Effects and Supermen in the 20th Century and other works on film and comics.


"Bukatman’s book is a celebration of Black Panther. There are some beautiful passages and truly elegant readings here. There is nuance and an ability to balance lots of different voices and takes on this film. Bukatman casts a wide net and taps into the many ongoing conversations about Black Panther in the media, as well as the relevance of the film’s comic book history and the Marvel Cinematic Universe. It’s clear that Bukatman loves comics, loves Chadwick Boseman, and loves this film."
Diana Adesola Mafe, author of Where No Black Woman Has Gone Before: Subversive Portrayals in Speculative Film and TV