"This is an important book that successfully demonstrates the potential of heritage studies as a critical strategy to understand visual culture in the context of the production of identity, power, and authority in a society."
~Magali Carrera, Chancellor Professor of Art History, University of Massachusetts Dartmouth, and author of Imagining Identity in New Spain: Race, Lineage, and the Colonial Body in Portraiture and Casta Paintings
"This [book] is immensely important for the field [of colonial art history]. While sixteenth-century contact-era art and eighteenth-century exceptional works have drawn attention to the field, they also help to keep it marginal to the practice of art history. By engaging the Bourbon reforms, the foundation of academies, and so on, Niell and [others] more amply account for colonial art and help scholars from other genres of the discipline to see similarities, not just differences. . . . The book offers a model case study in the recrafting of historical sites for new purposes, particularly, but not exclusively, in a colonial context. It thus offers a good model for the study of a place in all of its complexities and for all of the constituencies exerting influence on the site."
~Kelly Donahue-Wallace, Professor of Art History, University of North Texas, and author of Art and Architecture in Viceregal Latin America, 1521–1821
"[T]his book offers a sweeping and carefully researched volume that will appear to scholars in art history, Latin American Studies, cultural studies, urban studies and related fields. It reflects the efforts of a determined scholar who aims to link the local, plaza, city, colony, and ultimately (Spanish) empire scales of analysis. This work will force veteran scholars to rethink their assessment of Spanish colonial spaces, and will guide younger scholars too."
~European Review of Latin American and Caribbean Studies
Niell addresses an important gap in the research on Cuba’s heritage and promising interpretations will emerge from his work. Scholars and students interested on Latin American cultural, art and urban history, heritage studies, and those looking at the transition from the former Iberian colonialism to the modern colonial episteme will find this work enlightening and useful.
~International Journal of Heritage Studies
Niell’s text makes an important contribution to the Hispanic American discourse as he provides analysis and coverage of a grossly understudied area in Latin American and Caribbean studies: the art and architecture of colonial Cuba . . . His text will not only enliven the current discourse in Hispanic American studies but it is also timely and sure to be of interest to both area specialists and nonacademics alike as we attempt to decipher this moment of renewed cultural exchange.
~Winterthur Portfolio
Intellectual exchange across the Straits of Florida is now so common that Paul Niell’s excellent new book, Urban Space as Heritage in Late Colonial Cuba: Classicism and Dissonance on the Plaza de Armas of Havana, 1754–1828, comes as a very welcome relief from all things related to Cuba’s here and now . . . More than anything, Niell’s absorbing book reminds us that urban space as heritage is a potent vehicle for negotiating the here and now.
~Colonial Latin American Review
Paul Niell’s book is an important addition to the history of colonial architecture in Latin America, and in particular, a welcome addition to the genre of heritage studies . . . [Urban Space as Heritage in Late Colonial Cuba] will be of interest to social and cultural historians, preservationists, public historians, and art and architectural historians. Neill has deftly explained the process of constructing public memory, a process full of complexities that requires careful navigation among competing constituencies.
~The Journal of the Southeast Chapter of the Society of Architectural Historians
As an effort to understand Cuban architecture as both a component of the larger Spanish Empire and a product of its immediate political condition, the book is an important contribution to the history of architecture in Cuba.
~Choice
Like El Templete that emerges through Niell’s dense scholarly enquiry, his book is a carefully constructed mosaic. It should be read by students of heritage, historians and architects, art and architectural historians of the colonial Spanish Americas, and Havana’s inquisitive citizens.
~Hispanic American Historical Review
Paul Niell’s book is an important addition to the growing literature on Bourbon urban reforms, presenting a fruitful combination of art history, urban history, and heritage studies . . . The strength of the book lies in its sophisticated analysis of the urban dimension of the Bourbon reforms in Havana, and for that alone it is worth a read.
~The Americas
This study makes important contributions to the burgeoning new scholarship on the eighteenth century, as well as to rethinking the Hispanic Enlightenment . . . Given the careful documentation and innovative methodology of this comprehensive study, I expect it will remain relevant for years to come . . . Niell’s work fits into a large, newer body of scholarship that updates understanding of the Hispanic Enlightenment and the emergence of global modernity.
~American Historical Review
Urban Space as Heritage in Late Colonial Cuba is a wonderful contribution to the small amount of existing literature that examines the cultural history of the Enlightenment in Cuba. It is also one of the few books that analyzes the art and architectural history of the Cuban colonial period in depth, while placing it in useful dialogue with works produced in other areas of the Spanish viceroyalties . . . Niell effectively connects important iconographic sources from around the Atlantic world to the typology of the Templete and its visual program in a way that should further inspire similarly compelling studies of the political ramifications of visual culture produced under late colonialism.
~caa.reviews
This book offers a sweeping and carefully researched volume that will appeal to scholars in art history, Latin American Studies, cultural studies, urban studies, and related fields. It reflects the efforts of a determined scholar who aims to link the local, plaza, city, colony, and ultimately (Spanish) empire scales of analysis. The work will force veteran scholars to rethink their assessments of Spanish colonial spaces, and will guide younger scholars too.
~European Review of Latin American and Caribbean Studies
