Texas Studies in Literature and Language

Texas Studies in Literature and Language

QUARTERLY · 6 x 9 · 136 PAGES/ISSUE · ISSN 0040-4691 · E-ISSN 1534-7303
An established journal of literary criticism publishing substantial essays reflecting a variety of critical approaches and covering all periods of literary history.


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Fall 2016, 72:3

Editor’s Notes: Trauma from an Individual Psychology Perspective
Roy M. Kern and William L. Curlette
Trauma, Neurobiology, and Personality Dynamics: A Primer
Len Sperry
The Private Traumas of First Responders
Nadine Garner, Jason Baker, Duane Hagelgans
Using the Transcultural Adlerian Conceptualization and Therapy (TACT) Model to Depict the Influence of Race-Based Trauma
Matthew E. Lemberger, Tamiko Lemberger-Truelove
Crisis Fearlessness: A Call for Trauma Competencies in Counselor Education
Kathryn Watkins Van Asselt, Lori L. Soli, Erin L. Berry
A Trauma-Based Physiological Approach: Helping Betrayed Partners Heal from Marital Infidelity
Jill Duba Sauerheber, J. Graham Disque

Fall 2016, 58:3

“The Overturning of an Arbitrary Government”: Pigott’s Radical Challenge to Standard Lexicography
Sunghyun Jang
Berkeley Redux: Imagination as Ethical Power in Shelley’s “Mont Blanc”
Daniel E. Lees
Paradox Regained: Reconsidering Thomas Browne’s Double Hermeneutics
Marshelle Woodward
Networked Solitude: Walden, or Life in Modern Communications
Yoshiaki Furui
Heaney Translating Heaney: Coupling and Uncoupling the Human Chain
Kevin Murphy

Summer 2016, 58:2

Gertrude Stein’s Passivity: War and the Limits of Modern Subjectivity
Maayan P. Dauber
Time Travelers: Narrative Space-Time and the Logic of Return in Nabokov’s American Fiction
Frederick Coye Heard
Betrayed by Beauty: Ethics and Aesthetics in Alan Hollinghurst’s The Line of Beauty
Soo Yeon Kim
“Non Intellegant”: The Enigmas of the Clerk’s Tale
Shawn Normandin
Reading It Properly: The Poetics of Performance and Tennyson’s “Merlin and Vivien”
Summer J. Star

Spring 2016, 58:1

The Author Is Dead, But: A Lacanian Response to Barthes’s Return-to-the-Author Paradox
Luke Johnson
Camp Sadomasochism in Tennessee Williams’s Plays
Tison Pugh
On Poems and Proverbs
William Kerrigan and Marina Favila
Conversations with Shylock: The Merchant of Venice, Authorship Trouble, and Interpretive Instability in the Period of Early Print
Stephen Schillinger
The Conscientious Killer: Wilfred Owen’s “Strange Meeting”
Marc D. Cyr

Winter 2015, 57:4

Ghostly Presences: James Potter Lockhart and Jane Maxwell Lockhart in Jean Rhys’s Writing
Sue Thomas
Friendship and Frustration: Counter-Affect in the Letters of Philip Sidney and Hubert Languet
Bradley J. Irish
Are is too many for one woman to foal”: Embodied Cognition in As I Lay Dying
Laurel Bollinger
Institutions of Friendship in Sarah Scott’s Millenium Hall
Bryan Mangano
“We are the Storm”: Audience Collaboration in W. H. Auden’s The Dance of Death
Ryan Sheets

Fall 2015, 57:3

A Book “Made Out of Books”: The Humanizing Violence of Style in Blood Meridian
Lee Clark Mitchell
The Politics of Melancholia and Memorialization in Eudora Welty’s Delta Wedding
Travis Rozier
Stephen Crane and the Poetics of Nostalgia
Elissa Zellinger
“He Wished That He Could Be an Idea in Their Minds”: Legal Pragmatism and the Construction of White Subjectivity in Richard Wright’s Native Son
Gregory Phipps
Loose Characters in Mary Cowden Clarke’s The Girlhood of Shakespeare’s Heroines in a Series of Tales
Lauren Byler

Summer 2015, 57:2

“unlyrical, unmusical, unrhythmical, unmanageable”: Attending to Henry James’s Music
Daniel Hannah
Spencerian Theory and Modern Rites of Passage in John Dos Passos’s Three Soldiers
Aaron Shaheen
The Apocalypse for Barnes
Ery Shin
The Contemporary American Novel as World Literature: The Neoliberal Antihero in Don DeLillo’s Cosmopolis
Martina Sciolino
In Defense of Hemingway’s Young Nick Adams: “Everything Was Gone to Hell Inside of Me”
Donald A. Daiker

Spring 2015, 57:1

Mystical Kingdoms: The Postromantic Self in Early Ashbery
Timothy A. DeJong
Fashioning Bernice and Belinda: F. Scott Fitzgerald’s Revision of Alexander Pope’s Mock Epic
Nikhil Gupta
Marianne Moore’s “Abraham Lincoln and the Art of the Word”: Poetry, Celebrity, and Civil Religion
Benjamin Johnson
Emma Goldman Reading Walt Whitman: Aesthetics, Agitation, and the Anarchist Ideal
Timothy Robbins
Against the American Grain: Willa Cather’s History Troubles
Kelley Wagers

Winter 2014, 56:4

Razing Caine with Chandler and Wilder: The Prometheus-Pandora Myth in Double Indemnity
John L. Simons and Robert Merrill
Reviving Oisin: Yeats and the Conflicted Appeal of Irish Mythology
Daniel Gomes
Dorothea’s Boudoir: Dream-Work and Ethical Perception in Middlemarch
Annette Federico
Counterfeit Castles: The Age of Mechanical Reproduction in Bram Stoker’s Dracula and Jules Verne’s Le Château des Carpathes
Raj Shah

Fall 2014, 56:3

Reterritorialized Ritual: Classist Violence in Yvain and Ywain and Gawain
Randy P. Schiff
A Training in “feminitee”: Edmund Spenser, Mary Tighe, and Reading as a Lover
Erin M. Goss
Ferrules of Engagement: The Speech of Unheard Things in Ulysses
Elizabeth Inglesby
“Dualism is the word”: Wave/Particle Functions in Banville and Stoppard
Kersti Tarien Powell

Summer 2014, 56:2

Programming Literary Influence: David Foster Wallace’s “B.I. #59”
Lucas Thompson
The Sentimental Appeal to Salvific Paternity in Uncle Tom’s Cabin and Moby-Dick
Debra J. Rosenthal
The Migrating Look: Visual Economies of Queer Desire in The Book of Salt
Chris Coffman
Models of Order: Form and Cosmos in the Poetry of Ian Hamilton Finlay and Ronald Johnson
Ross Hair

Spring 2014, 56:1

The Translatability of Manuscript Pages Containing Old English Verse (with an Illustrative Translation of The Exeter Book, Folios 98r–101r and 124r–124v)
Derek Updegraff
“To due conversation accessible”: or, The Problem of Courtship in Milton’s Divorce Tracts and Paradise Lost
Lara Dodds
Johnny Foy: Wordsworth’s Imaginative Hero
Karen Guendel
The End of the Party: The Bright Young People in Vile Bodies, Afternoon Men, and Party Going
Marius Hentea

Winter 2013, 55:4

Philip Freneau’s Summa of American Exceptionalism: “The Rising Glory of America” without Brackenridge
Stephen Adams
True West and Lying Marks: The Englishman’s Boy, Blood Meridian, and the Paradox of the Revisionist Western
David H. Evans
James Baldwin’s 1970 Turkish Interviews: “The American Way of Life” and the Rhetoric of War from Vietnam to the Near and Middle East
Kim Fortuny
“The Mesmeric Power”: Sarah Grand and the Novel of the Female Orator
Morgan Fritz
Satyriast’s Beatitudes: John Rodker’s Hymns
Sean Pryor

Fall 2013, 55:3

"Thou Shalt Not be Cozened": Incest, Self-Reliance, and the Portioning of Gendered Bodies in the Works of Herman Melville
Richard Hardack
Figuring and Reconfiguring the Folk: Women and Metaphor in Part 1 of Jean Toomer's Cane
Robert Arbour
Mindfulness and Meaning in Charles Johnson's "Dr. King's Refrigerator"
Gena E. Chandler
Personality and Poetic Election in the Preceptual Relationship of Emily Dickinson and Thomas Wentworth Higginson, 1862–1886
Jason Hoppe

Summer 2013, 55:2

Two Types of Secret Agency: Conrad, Causation, and Popular Spy Fiction
John Attridge
The World-Making Capacity of John Fowles's Daniel Martin
Kelly Cresap
Cognitive Cartography in the Neocolonial World: Jameson's "Third-World Literature" and Ngũgĩ's Petals of Blood
Jaecheol Kim
Reconstructing Self, Sex, and the South: Minnie Bruce Pratt's Walking Back Up Depot Street
Joel Peckham
Broken Tongues in Dialogue: Translation and the Body in Slow Man
Jae Eun Yoo

Spring 2013, 55:1

The Bedrock of Gravity: Pondering the Grammar of Fall in Geoffrey Hill
Susan Ang

Special Section: Literary Modernism and Melody
Edited by Marysa Demoor, Sarah Posman, and Debora Van Durme

Literary Modernism and Melody: An Avant-Propos
Marysa Demoor, Sarah Posman, and Debora Van Durme
Endless Melody
Jed Rasula
Wallace Stevens's Modernist Melodies
Bart Eeckhout
Gertrude Stein's Melodies: In Anticipation of the Loop
Michel Delville
Opera, Allegory, and Remembrance: The Certain Melody in Auden's and Stravinsky's The Rake's Progress
Sascha Bru
Ezra Pound and Charles Bernstein: Opera, Poetics, and the Fate of Humanism
Robert Zamsky

Winter 2012, 54:4

Editor's Introduction to the Special Issue
Kurt Heinzelman
The Perforated Amulet
Sevgi Soysal, translated by Ruth Whitehouse
Three Sections from "Istanbul" in Beş Şehir (Five Cities)
Ahmet Hamdi Tanpınar, translated by Ruth Christie
Hasan Ali Toptaş, translated by Amy Spangler and Nilgün Dungan
Edouard Roditi and the Istanbul Avant-Garde
Clifford Endres
Dirty, White candles: Ernest Hemingway's Encounter with the East
Mel Kenne
Heteroglossic Sprees and Murderous Viewpoints in Orhan Pamuk's My Name Is Red
Barish Ali and Caroline Hagood
A Heathen between Two Mosques
Behçet Çelik, translated by The Cunda Workshop for Translators of Turkish Literature
Limits of the Imaginable in the Early Turkish Novel: Non-Muslim Prostitutes and Their Ottoman Muslim Clients
Hülya Yıldız
Yaşar Kemal, Son of Homer
Barry Tharaud

Fall 2012, 54:3

Linguistics and Literary Studies: Computation and Convergence Essays from the 2010 Texas Institute for Literary and Textual Studies

Guest Editors: Matt Cohen and Lars Hinrichs

Electronic Text Analysis and Nineteenth-Century Newspapers: TokenX and the Richmond Daily Dispatch
Elizabeth Lorang and Brian Pytlik Zillig
The Substantial Words Are in the Ground and Sea: Computationally Linking Text and Geography
Travis Brown, Jason Baldridge, Maria Esteva, and Weijia Xu
Editing in the Age of Automation
Amanda Gailey
Literary Forensics: Fingerprinting the Literary Dialects of Three Works of Plantation Fiction
Philip Leigh
A Variationist Approach to Text: What Role-Players Can Teach Us about Form and Meaning
Josh Iorio
Prototypical Characteristics of Blockbuster Movie Dialogue: A Corpus Stylistic Analysis
Dan McIntyre
The Story of one: Narrative and Composition in Gertrude Stein's The Making of Americans
Tanya Clement

Summer 2012, 54:2

Tony Hilfer on Negative Spaces in Ecocriticism: A Monograph on the Sublime in Philosophy, Poetry, Short Story, and Film

Editor’s Note
Kurt Heinzelman
“The Nothing That Is”: Representations of Nature in American Writing
Anthony Channell Hilfer
Rhetoric and the Real in Mount Ktaadn’s Encounter with Thoreau
Anthony Channell Hilfer
Nature as Protagonist in “The Open Boat”
Anthony Channell Hilfer
A Passion for the Desert: Bill Broyles, Sunshot; Charles Bowden, Inferno; Edward Abbey, Desert Solitaire
Anthony Channell Hilfer
Small Figures in Large Landscapes
Anthony Channell Hilfer
Anthony Channell Hilfer

Spring 2012, 54:1

Special Issue: Literature and Religious Conflict in the English Renaissance: Essays from the Inaugural Year of the Texas Institute for Literary and Textual Studies

Guest Editors: Wayne A. Rebhorn and Frank Whigham

Wayne A. Rebhorn and Frank Whigham
Rewriting Spiritual Community in Spenser, Donne, and the Book of Common Prayer
Daniel R. Gibbons
“A warre . . . commodious”: Dramatizing Islamic Schism in and after Tamburlaine
Jane Grogan
The Theater of the Damned: Religion and the Audience in the Tragedy of Christopher Marlowe
David K. Anderson
Reformed Dragons: Bevis of Hampton, Sir Thomas Malory’s Le Morte Darthur, and Spenser’s Faerie Queene
Kenneth Hodges
Equivocation, Cognition, and Political Authority in Early Modern England
Todd Butler
Temperate Revenge: Religion, Profit, and Retaliation in 1622 Jamestown
Kasey Evans
The Politics of Truth in Herbert of Cherbury
Anita Gilman Sherman

Winter 2011, 53:4

Rereading Barbara Baynton’s Bush Studies
Leigh Dale
The Reflected Eye: Reading Race in Barbara Baynton’s “Billy Skywonkie”
Julieanne Lamond
“Trying all things”: Romantic Polymaths, Social Factors,and the Legacies of a Rhetorical Education
Catherine E. Ross
Dostoevsky and the Diamond Sutra: Jack Kerouac’s Karamazov Religion
Jesse Menefee
“Almost a Sense of Property”: Henry James’s The Turn of the Screw, Modernism, and Commodity Culture
Guy Davidson

Fall 2011, 53:3

“Sallets in the Lines to Make the Matter Savoury”: Bakhtinian Speech Genres and Inserted Genres in Hamlet 2.2
Philip D. Collington
A and an in English Plays, 1580–1639
Hugh Craig
Populist Crane: A Reconsideration of Melodrama in Maggie
David Huntsperger
The Reader-Brand: Tolstoy in England at the Turn of the Century
Gwendolyn J. Blume
Ongitan and the Possibility of Oral Seeing in Beowulf
Robin Waugh
Dionysian Negative Theology in Donne’s “A Nocturnall upon S. Lucies Day”
Jennifer L. Nichols

Summer 2011, 53:2

Legacies of Reading in the Late Poetry of Thomas Merton
Dustin D. Stewart
New Left in Victorian Drag: The Rolling Stones Rock and Roll Circus
Barry J. Faulk
Prague 1968: Spatiality and the Tactics of Resistance
Julia Friday
“upsidedown like fools”: Jack Kerouac’s “Desolation Blues” and the Struggle for Enlightenment
Todd Giles
The Strange Literary Career of Jean Toomer
Michael Nowlin

Spring 2011, 53:1

The “Backbone of England”: History, Memory, Landscape, and the Fordian Reconstruction of Englishness
Toby Henry Loeffler
A Savagist Abroad: Anti-Colonial Theory and the Quiet Violence in Twain’s Western Oeuvre
Susan Kalter

Winter 2010, 52:4

Edgar Allan Poe and the Author-Fiction: The Narrative of Arthur Gordon Pym of Nantucket
Ki Yoon Jang
Becoming America's "Prophet of Outdoordom": John Burroughs and the Profession of Nature Writing, 1856–1880
Eric Lupfer
Beyond the Romance: The Aesthetics of Hawthorne's "Chiefly About War Matters"
Edward Wesp
The Satirist Who Clowns: Mark Twain's Performance at the Whittier Birthday Celebration
James E. Caron

Fall 2010, 52:3

"One Important Witness": Remembering Lydia Brown in Thomas Dixon's The Clansman
Tara Bynum
"The Shape of Credit": Imagination, Speculation, and Language in Nostromo
Joshua Gooch
Modernist Looking: Surreal Impressions in the Poetry of Allen Ginsberg
Brian Jackson
Speaking "to All Humanity": Renaissance Drama in Orhan Pamuk's Snow
Mary Jo Kietzman

Summer 2010, 52:2

Samuel Johnson as Intertextual Critic
Anthony W. Lee
Dickens's Genera Mixta: What Kind of a Novel is Hard Times?
Nils Clausson
Henry Miller and the Book of Life
Katy Masuga
"Shadow of Abandonment": Graham Green's The Confidential Agent
Robert Lance Snyder
Allen Ginsberg's Biographical Gestures
Jason Arthur

Spring 2010, 52:1

"Your Majesty's Self Is But a Ceremony": Laura (Riding) Jackson, Emerson, and the Conduct of Life
Luke Carson
Social Demarcation and the Forms of Psychological Fracture in Book One of Richard Wright's Native Son
Matthew Elder
Monstrous Rhetoric: Naked Lunch, National Insecurity, and the Gothic Fifties
Fiona Pato
Three Lean Cats in a Hall of Mirrors: James Baldwin, Norman Mailer, and Eldridge Cleaver on Race and Masculinity
Douglas Taylor
The American Protest Novel in a Time of Terror: Carolyn Chute's Merry Men
Gregory Leon Miller

Winter 2009, 51:4

Special Issue: News of Ulysses: Readings and Re-Readings

Guest Editors: Charles Rossman and Alan W. Friedman

Don Giovanni on Eccles Street
Roy D. Carlson
Quotation Marks, the Gramophone Record, and the Language of the Outlaw
Damien Keane
Romantic "Ghoststory": Lingering Shades of Shelley in Ulysses
Michael Schandorf
The Role of Elijah in Ulysses's Metempsychosis
Tekla Schell
"Don't eat a beefsteak": Joyce and the Pythagoreans
Ariela Freedman
"Weggebobbles and Fruit": Bloom's Vegetarian Impulses
Marguerite M. Regan
Circean Aerodynamics
James F. Lowe
Molly and Bloom in the Lists of "Ithaca"
Tony Thwaites
"O, despise not my youth!": Senses, Sympathy, and an Intimate Aesthetics in Ulysses
Siân E. White

Fall 2009, 51:3

Britain before Modernism

The Loneness of the Stalker: Poaching and Subjectivity in The Parlement of the Thre Ages
Randy P. Schiff
The Grotesque Body in the Hollow Tub: Swift's Tale
William Freedman
Manufacturing Novels: Charles Dickens on the Hearth in Coketown
Elizabeth Starr
Noblemen Who Have Gone Wrong: Novel-Reading Pirates and the Victorian Stage in Gilbert and Sullivan's The Pirates of Penzance
Monica F. Cohen
Byron's Orphic Poetics and the Foundations of Literary Modernism
Christopher A. Strathman

Summer 2009, 51:2

Scratching the Surface: Reading Character in Female Quixotism
Jessica Lang
"Clothes upon sticks": James Fenimore Cooper and the Flat Frontier
Sandra Tomc
Intimate Geography: The Body, Race, and Space in Larsen's Quicksand
Laura E. Tanner
"[A]ll / things began in Order to / end in Ordainer": The Theological Poetics of Louis Zukofsky from "A" to X
Jonathan Ivry
Fun City: Kenneth Koch among Schoolchildren
Timothy Gray

Spring 2009, 51:1

Samuel Beckett in Austin and Beyond

Alan W. Friedman and Charles Rossman, Guest Editors

"The Protestant Thing to Do": Anglo-Irish Performance in James Joyce's Dubliners and Samuel Beckett's All That Fall
Emily C. Bloom
Hesitancy in Joyce and Beckett's Manuscripts
Dirk Van Hulle
From Hardware to Software, or "Rocks, Cocks, Creation, Defacation, and Death": Reading Joyce and Beckett in the Fourth Dimension
Rodney Sharkey
Samuel Beckett Meets Buster Keaton: Godeau, Film, and New York
Alan W. Friedman
"White World. Not a Sound": Beckett's Radioactive Text in Embers
James Jesson
"Thought of everything? . . . Forgotten nothing?": (Re-)Editing Beckett's Eh Joe
Justin Tremel
"Someone is Looking at me still": The Audience-Creature Relationship in the Theater Plays of Samuel Beckett
Matthew Davies
The Posthumous Worlds of Not I and Play
Brian Gatten
Giving Sam a Second Life: Beckett's Plays in the Age of Convergent Media
Sean McCarthy

Winter 2008, 50:4

Raiding, Reform, and Reaction: Wondrous Creatures in the Exeter Book Riddles
Brian McFadden
Pedagogy or Gerontagogy: The Education of the Miltonic Deity
Neil D. Graves
William Jones, "Eastern" Poetry, and the Problem of Imitation
Zak Sitter
"In a Room": Elizabeth Bishop in Europe, 1935–1937
Marit J. MacArthur

Fall 2008, 50:3

Cultures of Detention

The Inside Stories of the Global American Prison
H. Bruce Franklin
Detention Without Subjects: Prisons and the Poetics of Living Death
Caleb Smith
Pits, Pendulums, and Penitentiaries: Reframing the Detained Subject
Jason Haslam
Permeable Borders and American Prisons: Malcolm Braly's On the Yard
Katy Ryan
Reading and Reckoning in a Women's Prison
Megan Sweeney

Summer 2008, 50:2

Globalizing Jewish Communities: Mapping a Jewish Geography in Fragment VII of the Canterbury Tales
Miriamne Ara Krummel
George Puttenham's Lewd and Illicit Career
Steven W. May
Disputing Good Bishop's English: Martin Marprelate and the Voice of Menippean Opposition
Joseph Navitsky
Heroic Contradictions: Samson and the Death of Turnus
Maggie Kilgour

Spring 2008, 50:1

Special Issue: Beyond Good and Evil

James Purdy's Allegories of Love
Don Adams
"Not to Creation or Destruction but to Truth": Robert Duncan, Kenneth Anger, and the Conversation between Film and Poetry
Daniel Kane
Fire, Flutter, Fall, and Scatter: A Structure in the Epiphanies of Hawthorne's Tales
Martin Bidney
The Domestic Transcendentalism of Fanny Fern
Carole Moses

Winter 2007, 49:4

Imagining the "Scottis Natioun": Populism and Propaganda in Scottish Satirical Broadsides
Tricia A. McElroy
"I am made an ass": Falstaff and the Scatology of Windsor's Polity
William Stockton
The Good Wound: Memory and Community in The Unconsoled
Natalie Reitano
The Mode of Romance Revisited
Pierre Vitoux
Apostrophe, or the Lyric Art of Turning Away
J. Mark Smith

Fall 2007, 49:3

"I Stuck the Gimlet in and Waited for Evening": Writing and Incidents in the Life of a Slave Girl
Daneen Wardrop
Jim Trueblood and His Critic-Readers: Ralph Ellison's Rhetoric of Dramatic Irony and Tall Humor in the Mid-Century American Literary Public Sphere
Gillian Johns
The Brothers Incandenza: Translating Ideology in Fyodor Dostoevsky's The Brothers Karamazov and David Foster Wallace's Infinite Jest
Timothy Jacobs
Capturing China in Globalization: The Dialectic of Autonomy and Dependency in Zhang Yimou's Cinema
David Leiwei Li

Summer 2007, 49:2

Milton's "sage and serious Poet Spencer": Error and Imitation in The Faerie Queene and Areopagitica
George F. Butler
Shakespearean Seductions, or, What's with Harold Bloom as Falstaff?
Alan D. Lewis
"To Sin in Loving Virtue": Angelo of Measure for Measure
Martha Widmayer
Robert Herrick and the Ambiguities of Gender
David Landrum

Spring 2007, 49:1

Fast Learner: The Typescript of Pynchon's V. at the Harry Ransom Center in Austin
Luc Herman and John M. Krafft
"Full Fathom Five": The Dead Father in Sylvia Plath's Seascapes
Peter J. Lowe
Susan Sontag's "Archaeology of Longings"
Sara Meyer
The Navajo, Psychosis, Lacan, and Derrida
Bernard Selinger

Winter 2006, 48:4

"Man Hungry": Reconsidering Threats to Colonial and Patriarchal Order in Dryden and Davenant's The Tempest
Candy B. K. Schille
Faithful Likenesses: Lists of Similes in Milton, Shelley, and Rossetti
Erik Gray
The Polis's Different Voices: Narrating England's Progress in Dickens's Bleak House
Emily Heady
"Dirty Linen": Legacies of Empire in Wilkie Collins's The Moonstone
Melissa Free
Lewis in Wonderland: The Looking-Glass World of Sylvie and Bruno
Marah Gubar

Fall 2006, 48:3

The Vanguard of Modernity: Richard Wright's The Outsider
Sarah Relyea
Dissonant Voices in Richard Rodriguez's Hunger of Memory and Luce Irigaray's This Sex Which Is Not One
Nidesh Lawtoo
"Oy, a good men!": Urban Voices and Democracy in Henry Roth's Call It Sleep
Kremena Todorova

Summer 2006, 48:2

Ends of Enchantment: Colonialism and Sir Gawain and the Green Knight
Lynn Arner
Diogenes the Cynic in the Dialogues of the Dead of Thomas Brown, Lord Lyttelton, and William Blake
David Mazella
Equiano's "Loud Voice": Witnessing the Performance of The Interesting Narrative
Jesse M. Molesworth
Productive Fear: Labor, Sexuality, and Mimicry in Bram Stoker's Dracula
Eric Kwan-Wai Yu
"English Sheiks" and Arab Stereotypes: E. M. Hull, T. E. Lawrence, and the Imperial Masquerade
Elizabeth Gargano

Spring 2006, 48:1

Repositioning: Different Ways of Looking
Anthony Channell Hilfer
Reading with "The Eye of Faith": The Structural Principle of Hawthorne's Romances
Magnus Ullén
"Dangerous Families" and "Intimate Harm" in Hemingway's "Indian Camp"
Lisa Tyler
Homeward Bound: Settler Aesthetics in Hawai'i's Literature
Seri Luangphinith

Winter 2005, 47:4

Francis Petrarch: First Modern Friend
Dolora Chapelle Wojciehowski
The Practice of Community: Humanist Friendship during the Dutch Revolt
Jason Harris
Friendship and Voluntary Servitude: Plato, Ficino, and Montaigne
François Rigolot
Cicero on Stage: Damon and Pythias and the Fate of Classical Friendship in English Renaissance Drama
Robert Stretter
Nicholas Oldisworth, Richard Bacon, and the Practices of Caroline Friendship
John Gouws
"The Lord Hath Joined Us Together, and Wo Be to Them that Should Part Us": Katharine Evans and Sarah Cheevers as Traveling Friends
Rachel Warburton
The Value of Female Friendship in Seventeenth-Century Spain
Lisa Vollendorf

Fall 2005, 47:3

Narrative Thinking and Experiental Knowledge: The Example of Ronald Sukenick
Adam Katz
"A World without Gravity: The Urban Pastoral Spirituality of Jim Carroll and Kathleen Norris
Timothy Gray
Rick Moody's Purple America: Gothic Resuscitation in the Nuclear Age
Kenneth Millard

Summer 2005, 47:2

Subjects and Objects in Lycidas
Lauren Shohet
"To be thy Praise, / And be my salvation": The Double Function of Praise in The Temple
Margaret J. Oakes
Shelley's Unwriting of "Mont Blanc"
Christopher Hitt
Bulwer-Lytton's Pelham: The Disciplinary Dandy and the Art of Government
Maria K. Bachman
Free-verse Poems in Fixed Forms: Tracing the "Silhouette" of Zheng Chouyu's Early Poems
Julie Chiu

Spring 2005, 47:1

Baffling Doom: Dialogue, Laughter, and Comic Perception in Henry James
John Bruns
Society in Self, Self in Society: Survival in The Wings of the Dove
Maya Higashi Wakana
Canonical Relations: Willa Cather, America, and The Professor's House
Anna Wilson
Caught in the Wrong Story: Psychoanalysis and Narrative Structure in Tender is the Night
Susann Cokal

Winter 2004, 46:4

Bewitching The Shrew
Robert M. Schuler
Liber Amoris and the Lineaments of Hazlitt's Desire
Mark McCutcheon
Acheflour: Wise Woman or Foolish Female?
Patricia Rose

Fall 2004, 46:3

Making the Woman of Him: Shakespeare's Man Right Fair as Sonnet Lady
M. L. Stapleton
Reading Nascent Capitalism in Part II of Thomas Heywood's If You Know Not Me, You Know Nobody
Charles W. Crupi
Complicated Monsters: Essence and Metamorphosis in Milton
William Kerrigan
Fashioning Innocence: Rhetorical Construction of Character in the Memoirs of Anne, Lady Halkett
Judith Kearns
"I Wou'd Be A Man-Woman": Roxana's Amazonian Threat to the Ideology of Marriage
Shawn Lisa Maurer

Summer 2004, 46:2

Building the "Blue" Race: Miscegenation, Mysticism, and the Language of Cognitive Evolution in Jean Toomer's "The Blue Meridian"
Stephanie L. Hawkins
Carl Sandburg's The People, Yes, Thirties Modernism, and the Problem of Bad Political Poetry
Brian M. Reed
National Forgetting and Remembering in the Poetry of Robert Frost
Jeff Westover
Man Writing: The Watson Trilogy: Peter Matthiessen in Archive
James G. Watson

Spring 2004, 46:1

Machiavelli's The Prince as Memoir
Charles D. Tarlton
Miltonic Marriage and the Challenge to History in Paradise Lost
David Mikics
Joyn Dryden and John Denham
Tanya Caldwell
Female Romanticism at the End of History
John Krapp
Randall Jarrell's Answerable Style: Revision of Elegy in "The Death of the Ball Turret Gunner"
Marc D. Cyr
Against the Vernacular: Ciceronian Formalism and the Problem of the Individual
John Leeds

Winter 2003, 45:4

Elizabeth Bishop's "Brazil, January 1, 1502" and Max Jacob's "Etablissement d'une communauté au Brésil": A Study of Transformative Interpretation and Influence
Sylvia Henneberg
The Waterworks: E. L. Doctorow's Gnostic Detective Story
Brian Diemert
Charles Johnson's Middle Passage: Fictionalizing History and Historicizing Fiction
Marc Steinberg
Beyond Science and Supermen: Bellow and Mind at Mid-Century
Robert Chodat

Fall 2003, 45:3

Tragicomedy, Bisexuality, and Byronism; or, Jokes and Their Relation to Sardanapalus
Barbara Judson
Who Owns What: Slavery, Property, and Eschatological Compensation in Thomas De Quincey's Opium Writings
Daniel O'Quinn
Communities in Mourning: Making Capital Out of Loss in Carlyle's Past and Present and Heroes
Daniela Garofalo
Partying with the Opposition: Social Politics in The Prime Minister
Courtney C. Berger

Summer 2003, 45:2

"Sounding the Wilderness": Representations of the Heroic in Herman Melville's Battle-Pieces and Aspects of the War
Megan Williams
"Singularly Like a Bad Illustration": The Appearance of Henry James's "The Real Thing" in the Pot-Boiler Press
Adam Sonstegard
Historical and Archetypal Intimations of the Grail Myth in Cather's One of Ours and The Professor's House
Klaus P. Stich
Yuman Belief Systems and Cormac McCarthy's Blood Meridian
Stacey Peebles

Spring 2003, 45:1

Shakespearean Prosody Unbound
Mark Womack
Shakespeare's Anxious Epistemology: Love's Labor's Lost and Marlowe's Doctor Faustus
Eric C. Brown
Protestant Manliness in Arden of Faversham
Ian McAdam
"Irreproachable Women and Patient Workers": the Memoirs of Victorian Leading Ladies
Deborah Pye
John Henry Newman, Knowingness, and Victorian Perfectionism
Andrew H. Miller
Hopkins's "Bellbright Bodies": the Dialectics of Desire in His Writings
Dennis Sobolev

Winter 2002, 44:4

Putting "His Story Next to Hers": Choice, Agency, and the Structure of Beloved
Steven V. Daniels
Philip Marlowe's Labor of Words
John Hilgart
The Rainbow Sign of Nelson Algren
William Brevda
The Clinician as Enslaver: Pudd'nhead Wilson and the Rationalization of Identity
Derek Parker Royal
The Kahan Commission Report and A Balcony Over the Fakihani: A Tale of Two Fictions
Steven Salaita

Fall 2002, 44:3

"Of Goddes pryvetee nor of his wyf": Confusion of Orifices in Chaucer's Miller's Tale
Louise M. Bishop
Oral Devotion: Eucharistic Theology and Richard Crashaw's Religious Lyrics
Ryan Netzley
Latitudinarianism and the Novels of Ann Radcliffe
Robert J. Mayhew
Significant Form in Jacob's Room: Ekphrasis and the Elegy
Kathleen Wall
C. S. Lewis, T. S. Eliot, and the Milton Legacy: The Nativity Ode Revisited
Charles A. Huttar

Summer 2002, 44:2

Lyric Nationalism: Whitman, American Studies, and the New Criticism
Scott MacPhail
'We Have a Secret. We Are Alive': H.D.'s Trilogy as a Response to War
Sarah H. S. Graham
The Brake of Time: Corso's Bomb as Postmodern God(dess)
Christine Hoff Kramer

Spring 2002, 44:1

Gower's Boat, Richard's Barge, and the True Story of the Confessio Amantis: Text and Gloss
Frank Grady
Literal Opposition: Deconstruction, History, and Lancaster
Robert Epstein
Pastoral Histories: Utopia, Conquest, and the Wife of Bath's Tale
Patricia Clare Ingham
The Pathogenesis of Medieval History
Michael Uebel
Performing the Prioress: "Conscience" and Responsibility in Studies of Chaucer's Prioress's Tale
Michael Calabrese
Vernacular Nostalgia and The Cambridge History of Medieval English Literature
Sarah Stanbury
Historicists and their Discontents: Reading Psychoanalytically in Medieval Studies
Elizabeth Scala

Winter 2001, 43:4

Chichikov's Chest: Reality, Representation and Infectious Storytelling in Dead Souls
John Lutz
Disinterring Edward Dahlberg
William Solomon
Views from the Rosebrick Manor: Poetic Authority in James Merrill's The Changing Light at Sandover
Piotr Gwiazda
Creation's Covenant: The Art of Cynthia Ozick
Timothy L. Parrish
Liberalism and the Articulation of Cruelty: An Essay on Judith Shklar and D. M. Thomas
Gary S. Wihl

Fall 2001, 43:3

Figuring the New Woman: Writers and Mothers in George Egerton's Early Stories
Nicole M. Fluhr
Hannah Moore and the Problem of Poverty
Jane Nardin
"I Will Say the Truth to the English People": The History of Mary Prince and the Meaning of English History
Kremena Todorova
The Madwoman Outside the Attic: Eavesdropping and Narrative Agency in The Woman in White
Ann Gaylin
"Knowledge Not Purchased by the Loss of Power": Wordsworth's Meditation on Books and Death in Book 5 of The Prelude
Henry Weinfield

Summer 2001, 43:2

The Creation of a Classical Language in the Eighteenth Century: Standardizing English, Cultural Imperialism, and the Future of the Literary Canon
Adam R. Beach
Movies, Marxism, and Jim Crow: Richard Wright's Cultural Criticism
Vincent Pérez
What Bigger Killed For: Re-Reading Violence Against Women in Native Son
Sondra Guttman
Eudora Welty's The Golden Apples: Abjection and the Maternal South
Joel B. Peckham Jr.
Peasant Dreams: Reading On the Road
Mark Richardson

Spring 2001, 43:1

Monstrous Regiment: Spenser's Ireland and Spenser's Queen
Joanne Craig
Thomas Wyatt's Epistolary Satires: Parody and the Limitations of Rhetorical Humanism
Jason Gleckman
The 'Ill Kill'd' Deer: Poaching and Social Order in The Merry Wives of Windsor
Jeffrey Theis
A Remedy for Heywood?
M. L. Stapleton

Winter 2000, 42:4

Hawthorne's Demystification of History in "Endicott and the Red Cross"
John Nickel
"Profound Science" and "Elegant Literature": Doctors in Nineteenth-Century U.S. Periodical Fiction
Stephanie Browner
"Once Place Me and You'll See": The Matter with Milly in The Wings of the Dove
David Grant
Pleasurable "Presences": Sites, Buildings and "Aliens" in James's American Scene
Gert Buelens
Sex, Race and Class in Edith Wharton
Stuart Hutchinson

Summer 2000, 42:2

The Rhetoric of Development in Joseph Conrad's Nostromo
Luz Elena Ramirez
Incomplete Histories and Hélène Cixous' L'histoire terrible mais inachevée de Norodom Sihanouk, roi du Cambodge
Erica L. Johnson
The Life and Times of Death and the Maiden
Robert A. Morace
Inscribing Mexican-American Modernism in Américo Paredes' George Washington Gómez
Christopher Schedler
JE est une phrase: The Subversion of Rimbaud's "Being Beauteous"
Claudia Nadine

Fall 2000, 42:3

The "transcendent and immortal . . . HEEP!": Class Consciousness, Narrative Authority, and the Gothic in David Copperfield
David Thiele
The Enormous Power of No Body: Little Dorritand the Logic of Expansion
Sherri Wolf
The Web of Necessity: George Eliot's Theory of Ideology
Karen C. Gindele
"We Children were the in-betweens": Character (De)Formation in Sons and Lovers
Thomas L. Jeffers
"Anacreon" and Drink Poetry; or, the Art of Feeling Very Very Good
Marty Roth

Spring 2000, 42:1

Human Mouseness: Burns and Compassion for Animals
David Perkins
All Flesh Doth Frailtie Breed": Mothers and Children in The Faerie Queene
Joanne Craig
The Spanish Tragedy and the Politico-Religious Unconscious
Ian Mcadam
"We are undone already": Disarming the Multitude in Julius Caesarand Coriolanus
Jerald W. Spotswood
The uses of Parody in William Boyd's The New Confessions
Pierre Vitoux

Winter 1999, 41:4

Reflections on the Importance of Romantic Drama
Paula Backscheider
Home as Abroad: Orientalism and Occidentalism in Early English Stage Melodrama
Elaine Hadley
Coming After: Shelley's Proserpine
Julie Carlson
Re-Opening After the Old Price Riots: War and Peace at Drury Lane
Michael Simpson
Sports of Time: The Structure of the Dramatic Evening in the Theater of Romanticism
Jeffrey N. Cox

Fall 1999, 41:3

 Sentimental Discourse And The Bisexual Erotics Of Work
Gregory Eiselein
Willa Cather's The Professor's House: Sleeping With The Dead
Lisa Lucenti
The Legend Of Jane Bowles: Stories Of The Female Avant-Garde
Jennie Skerl
Death Of A Salesman At 50--Still "Coming Home To Roost"
Terry Otten 

Summer 1999, 41:2

Milton's Arminianism and the Authorship of De Doctrina Christiana
Stephen M. Fallon
The Erotic Milton
John P. Rumrich
The Importance Of Being Easy: Desire and Cibber's The Careless Husband
Stephen Szilagyi
A Man On The Cusp: Sir William Jones's "Philology' And "Oriental Studies"
Haruko Momma
Modernist Hauntology: James Joyce, Hester Dowden, And Shakespeare's Ghost
Helen Sword

Spring 1999, 41:1

Walden Two, Postmodern Utopia, and the Problems of Power, Choice, and the Rule of Law
Harvey L. Gable Jr.
The Path to Endless: Gary Snyder in the Mid-1990s
Susan Kalter
Lawful Entitlements: Chesnutt's Fictions of Ownership
William E. Moddelmog
The Double Nihilation of the Neon: Raymond Chandler's Los Angeles
William Brevda

Winter 1998, 40:4

Queering The Sissy (Ethnic) Subject
Randy Rodríguez
Anti-Pastoral And Guilty Vision In Richard Rodriguez's Days Of Obligation
Paige Schilt
Word Made Flesh: Richard Rodriguez's "Late Victorians" As Nativity Story
Norma Tilden

Fall 1998, 40:3

Translating Investments: The Metaphoricity of Language, Henry VI and Hamlet
Judith H. Anderson
Warring Chains of Signifiers: Metaphoric Ambivalence and the Politics of Paradise Lost
Peter C. Herman
Generations of Blazons: Psychoanalysis and the Song of Songs in the Amoretti
Theresa M. Krier
Loue my Lewd Pilot: The Ars Amatoria in The Fairie Queen
M. L. Stapleton
Unheimliche Heights: The (En)gendering of Brontë Sources
Crystal Downing
Preventing Play: Annotating the Battle of the Books
Jack Lynch

Summer 1998, 40:2

The Typographical Design of Melville's 'The Apple-Tree Table'
Jonathan A. Cook
Whitman as Furtive Mother: The Supplementary Joussance of the 'Ambushed Womb' in 'Song of Myself'
Daneen Wardop
'Murder, What a Lovely Voice!': Sex, Speech and the Public/Private Problem in The Bostonians
Joyce A. Rowe
Colonial Desires, Silence and Metonymy: All Things Considered in Wide Sargasso Sea
Hilda van Neck-Yoder
The Value of Utiliarian Ethics at the Present Time
Wendell V. Harris

Spring 1998, 40:1

Numerical Patterning in Anne Wheathill's A Handfull of Holesome (Though Homelie) Hearbs (1584)
Colin B. Atkinson and Jo B. Atkinson
Reconciling Philo and Hume: Habits, Caprice, and Inclinations
Peter Dendle
Childe Harold's Pilgrimage: a Romaunt and the Influence of Local Attachment
Aidan Chalk
Carlyle: Between Biblical Exegesis and Romantic Hermeneutics
Suzy Anger
Post-Mutiny Allegories of Empire in Rudyard Kipling's Jungle Books
Don Randall

Winter 1997, 39:4

It Is I Who Have Been Defending a Religion Called Judaism: The T. S. Eliot And Horace M. Kallen Correspondence
Ranen Omer
Fantastic Views: T. S. Eliot and the Occultation of Knowledge and Experience
Donald J. Childs
T. S. Eliot and the Rape of God
Sharon Stockton
Poetic Justice: Elizabeth Hardwick's Sleepless Nights
Hazel Rowley

Fall 1997, 39:3

The Elaine of Astolat and Lancelot Dialogues: A Confusion of Intent
Carolyn Hares-Stryker
Country Mouse and Towny Mouse: Truth in Wyatt
Christopher Z. Hobson
Henrician Historiography and the Voice of the People: The Cases of More and Hall
Peter C. Herman
'Man to Man': Self-Fashioning in Jonson's 'To William Pembroke'
William Kolbrener
Dying Into the Type: Tennyson's Surrender to Public Language in 'The Lover's Tale'
Darrel Mansell

Summer 1997, 39:2

Elizabeth Barrett Browning and Apocalypse: The Unraveling of Poetic Autonomy
Ranen Omer
Rewriting Trollope and Yonge: Mrs. Oliphant's Phoebe Junior and the Realism Wars
Joseph H. O'Mealy
'A Line of Her Own': Henry James's 'Sturdy Little Doctress' and the Medical Woman as Literary Type in Gilded-Age America
Frederick Wegener
Incorporated Bodies: Dracula and the Rise of Professionalism
Nicholas Daly

Spring 1997, 39:1

The Tautological Thinking of Historicism
Allen Thiher
Civility and Madness in Frost's 'Snow'
Walter Jost
'My Real Hopes and Ambitions': Re-reading Elizabeth Bishop's 'In Prison'
Zhou Xiaojing
The Hitherside of History: Tone, Knowledge and Spirit in John Ashbery's 'The System'
Jeff Staiger

Fall/Winter 1996, 38:3/4

'Fine Word, Legitimate!': Towards a Theatrical History of Romanticism
Jane Moody
Staging Hope: Genre, Myth, and Ideology in the Dramas of the Hunt Circle
Jeffrey N. Cox
'A Reasonable Woman's Desire': The Private Theatrical and Joanna Baillie's The Tryal
Catherine B. Burroughs
'This Pen of Mine Will Say Too Much': Public Performance in the Journals of Anna Larpent
Claire Miller Colombo
Ancestral Voices Prophesying What? The Moving Text in Byron's Marino Faliero and Sardanapalus
Michael Simpson
Strange Flesh: Shelley and the Performance of Skepticism
William Jewett
Count Cenci's Abysmal Credit
Linda C. Brigham
Trying Sheridan's Pizarro
Julie A. Carlson
The Cenci: Recognizing the Shelleyan Sublime
Paul Endo

Summer 1996, 38:2

Gaspara Stampa and the Gender of Petrarchism
Gordon Braden
On Not Being Deceived: Rhetoric and the Body in Twelfth Night
Lorna Hutson
All My Deed But Copying Is: The Erotics of Identity in Astrophil and Stella
Elizabeth M. Hull
Milton's Poetics of Generation
John Rumrich
A Theory of Female Coyness
William Kerrigan

Spring 1996, 38:1

De-composing Poe's 'Philosophy'
Dennis Pahl
Howells's 'Wretched Fetishes': Character, Realism, and Other Modern Instances
Warren Hedges
Revising Vulnerability: Henry James's Confrontation with Photography
Edward L. Schwarzschild
How Do I Get to Broadway? Reading Dos Passos's Manhattan Transfer Sign
William Brevda

Jim H. Cox and Doug Bruster 
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