Latin American Music Review

Latin American Music Review

SEMIANNUAL · 6 x 9 · 128 PAGES/ISSUE · ISSN 0163-0350 · E-ISSN 1536-0199
LAMR explores the historical, ethnographic, and socio-cultural dimensions of Latin American music in Latin American social groups, including the Puerto Rican, Mexican, Cuban, and Portuguese populations in the United States. Articles are written in English, Spanish, or Portuguese.

 

"It is interdisciplinary in scope, touching the disciplines of anthropology, sociology, and urban studies."
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Spring/Summer 2014, 35:1

Las músicas de Betty la Fea
María Edurne Zuazu y Rubén López Cano
El arte de adecentar los sonidos: Huellas de las operaciones de normalización del tango argentino, 1900–1920
María Mercedes Liska
Música y negritud en Chile: De la ausencia presente a la presencia ausente
Víctor Rondón
Amenizar, sincronizar, signifi car: Música y cine silente en Chile, 1910–1930
Fernando Purcell y Juan Pablo González
Bomba, danza, calipso y merengue: Creación del espacio social en las fi estas de Santiago Apóstol de Loíza
Jaime O. Bofill Calero


Reviews

Historia social de la música popular en Chile, 1950–1970 by Juan Pablo González, Oscar Ohlsen y Claudio Rolle
Fernando Ríos
Performance in the Borderlands edited by Ramón H. Rivera-Servera and Harvey Young
Gregory J. Robinson
Música/musicología y colonialismo Centro de Documentación Musical “Lauro Ayestarán”
Óscar Hernández Salgar
Sones y huapangos: Musique de la Huasteca et de Veracruz (Mexique) Association CORDAE/La Talvera (France) El Gusto: 40 años de son huasteco Discos Corasón México
Alex E. Chávaz
The Other Side of the Water: The Journey of a Haitian Rara Band in Brooklyn by Jeremy Robins and Magali Damas
Lois Wilcken
Transnational Encounters: Music and Performance at the US-Mexico Border edited by Alejandro L. Madrid
Ruth Hellier-Tinoco
Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene by Frederick Moehn
Darien Lamen
Intimate Distance: Andean Music in Japan by Michelle Bigenho
Ketty Wong

Fall/Winter 2013, 34:2

Claiming Caribbeanness in the Brazilian Amazon: Lambada, Critical Cosmopolitanism, and the Creation of an Alternative Amazon
Darien Lamen
Heitor Villa-Lobos e Getúlio Vargas: Doutrinando crianças por meio da educação musical
Gabriel Ferraz
Beginning a New Cuban Dream: An Interview with Carlos Varela
Maria Caridad Cumaná and Karen Dubinsky
Toward an Understanding of Conga santiaguera: Elements of La conga de Los Hoyos
Lani Milstein
El compositor uruguayo Coriún Aharonián: Música, ideología y el rol del compositor en la sociedad
Eduardo Herrera


Reviews

Burst of Breath: Indigenous Ritual Wind Instruments in Lowland South America edited by Jonathan D. Hill and Jean-Pierre Chaumeil
Bernd Brabec de Mori
Afro-Mexico: Dancing between Myth and Reality by Anita González
Alex E. Chávez
Afro-Colombian Hip-Hop: Globalization, Transcultural Music, and Ethnic Identities by Christopher Dennis
Steven Spinner
Brazilian Popular Music and Citizenship edited by Idelber Avelar and Christopher Dunn
Cory J. LaFevers
Music and Urban Society in Colonial Latin America edited by Geoffrey Baker and Tess Knighton
Jesús A. Ramos-Kittrell
Buena Vista in the Club: Rap, Reggaetón, and Revolution in Havana by Geoffrey Baker
Robin Moore

Spring/Summer 2013, 34:1

Parading Brazil through New Orleans: Brazilian Immigrant Interaction with Casa Samba
Annie McNeill Gibson
Producing the Andean Voice: Popular Music, Folkloric Performance, and the Possessive Investment in Indigeneity
Joshua Tucker
La chilena mexicana es peruana: Multiculturalism, Regionalism, and Transnational Musical Currents in the Hispanic Pacific
Alex Stewart


Reviews

Music ImagiNation: U.S.-Colombian Identity and the Latin Music Boom by Maria Elena Cepeda
Carolina Santamaria
Music of Latin America and the Caribbean by Mark Brill
Daniel Sheehy
The Power of Song: Music and Dance in the Mission Communities of Northern New Spain, 1590–1810 by Kristin Dutcher Mann
Drew Edward Davies
The Berimbau: Soul of Brazilian Music by Eric A. Galm
Frederick Moehn
La música folclórica dominicana by Josué Santana and Edis Sánchez
Daniel Piper

Fall/Winter 2012, 33:2

Organografía del bandoneón y prácticas musicales: Lógica dispositiva de los teclados del bandeoneón rheinische Tonlage 38/33 y la escritura ideográfica
Mercedes Krapovickas
Huapango Arribeño: A Mexican Musico-Poetic Tradition at the Interstices of Postmodernity (1968–1982)
Alex E. Chávez
Hearing the Change: Reggaeton and Emergent Values in Contemporary Cuba
Nora Gámez Torres


Reviews

Reggaeton Edited by Raquel Z. Rivera, Wayne Marshall, and Deborah Pacini Hernandez
Kim Kattari
Del Juju al Uauco: Un estudio arqueomusicológico de las flautas globulares cerradas de cráneo de cérvido en la región Chinchaysuyu del imperio de los incas by Julio Mendívil
Daniela la Chioma
Oye Como Va! Hybridity and Identity in Latino Popular Music by Deborah Pacini Hernandez
Juan Flores
Music in the Hispanic Carribean by Robin Moore
Rebecca Sager
Enciclopédia da música em Portugal no século XX Edited by Salwa Castelo-Branco
Cory J. Lafevers
Música dramática en el seminario de San Antonio Abad de Cusco by Diana Fernández Calvo
Alejando Vera
Alberto Ginastera: A Research and Information Guide by Deborah Schwartz-Kates
Carol A. Hess
Camargo Guarnieri, Sonata and Sonatinas Rosangela Yazbec Sebba, piano
Sarah M. Tyrrell

Spring/Summer 2012, 33:1

Grooves and Waves: Cyclicity and Narrativity in Cuban Timba Piano
Orlando Enrique Fiol
Danzar para que el mundo no se acabe. Estudio sistemático de la danza rarámuri
Ángel Acuña Delgado
Guillermo Graetzer. Judaísmo y exilio: las palabras ausentes
Sílvia Glocer
Cuban Hip-Hop Goes Global: Orishas’ A lo cubano
Lea Ramsdell


Reviews

Cuban Zarzuela: Performing Race and Gender on Havana’s Lyric Stage by Susan Thomas
Noriko Manabe
The Clave Matrix: Afro-Cuban Rhythm: Its Principles and Origins by David Peñalosa
Chris Stover
Blackness in the White Nation: A History of Afro-Uruguay by George Reid Andrews
Morgan James Luker
A Guide to the Latin American Art Song Repertoire: An Annotated Catalog of Twentieth-Century Art Songs for Voice and Piano Edited by Maya Hoover
Patricia Caicedo
Tassa Thunder: Folk Music from India to the Caribbean Produced by Peter Manuel
Jessica Swanston

Fall/Winter 2011, 32:2

Performing the Migrant, Performing Home: Televised Nostalgia in Northeast Brazil
Dan Sharp
The More Hispano in the Polyphonic Passions of Mexico City
M. Grey Brothers
El origen de sones afroantillanos: perspectivas dominicanas con respecto al “Son de la Ma’ Teodora”
Karoline Bahrs
A Young Bishop, Eleven Music Manuscripts, and a Remote Cathedral Archive: A Mexican Musical Legacy Comes to Light
John G. Lazos
El diálogo musical andino: emoción y creencias en la creatividad de conjuntos de “música andina” de Buenos Aires (Argentina) y Puno (Perú)
Adil Podhajcer


Reviews

Navidad en los Andes: arpa, comparsas y zapateo en San Francisco de Querco, Huancavelica by Claude Ferrier
Michelle Wibbelsman
Música Norteña: Mexican Migrants Creating a Nation between Nations by Cathy Ragland
Guadalupe San Miguel, Jr.
Andinos y tropicales: la cumbia peruana en la ciudad global by Raúl R. Romero
El huayno con arpa: estilos globales en la nueva música popular andina by Claude Ferrier
La danza de tijeras y el violín de Lucanas by Manuel Arce Sotelo
Fusión: banda sonora del Perú by Efraín Rozas
Fernando Rios
Ritual Encounters: Otavalan Modern and Mythic Community by Michelle Wibbelsman
Jonathan Ritter
La música para piano en Argentina (1929–1983). Mitos, tradiciones y modernidades by Julio Ogas
Silvia Glocer
Los Viajes del Viento Ruíz Navia Written and directed by Ciro Guerra
El Vuelco del Cangrejo Written and directed by Ruíz Navia
Sydney Hutchinson

Spring/Summer 2011, 32:1

Cuba Rebelión: Underground Music in Havana
Geoffrey Baker
“E fez-se o samba”: condicionantes intelectuais da música popular no Brasil
Dmitri Cerboncini Fernandes
The Song of the National Soul: Ecuadorian Pasillo in the Twentieth Century
Ketty Wong
La música orquestal de Carlos Guastavino. Su recepción crítica en la prensa periódica de Buenos Aires
Silvina Luz Mansilla
Rediscovering Walter Burle Marx: Brazilian Musician of “Pure Gold”
Leonora M. Cohen
Interview with Marlos Nobre (Entrevista de Marlos Nobre)
Bernardo Scarambone


Reviews

Alberto Ginastera: Le(s) style(s) d’un compositeur argentin by Antonieta Sottile
Erick Carballo
Cuerpo y cultura. Las músicas “mulatas” y la subversión del baile by Ángel Quintero Rivera
Frances R. Aparicio
Devotional Music in the Iberian World, 1450–1800: The Villancico and Related Genres Edited by Tess Knighton and Álvaro Torrente
Ana Sánchez-Rojo
Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized Scenario Edited by Ignacio Corona and Alejandro L. Madrid
Kathryn Metz
Opening the Portals of Heaven: Brazilian Ayahuasca Music / Música brasileira de ayahuasca by Beatriz Caiuby Labate and Gustavo Pacheco
Marc Blainey
Pasillos, bambucos, guabinas. Una visión urbana by Francy Montalvo and Javier Pérez Sandoval
En esencia (CD) by Carrera Quinta
Huáscar García

Fall/Winter 2010, 31:2

The Bullroarer Cult in Cuba
Michael Marcuzzi
Música, espacio andino y "habitus de clase": el caso del singular compositor argentino Rolando "Chivo" Valladares
Fabiola Orquera
Musical Cartographies of the Transnational City: Mapping Havana in Song
Susan Thomas
Singing Together/Meaning Apart: Popular Music, Participation, and Cultural Politics in Salvador, Brazil
Jeff Packman


Reviews

Nor-tec Rifa! Electronic Dance Music from Tijuana to the World by Alejandro L. Madrid
Jesus A. Ramos-Kittrell
Inter-American Music Review Vol. 17–18 (2007–8)
John G. Lazos
San Juan-New York: Discografía de la música puertorriqueña 1900–1942 by Cristóbal Díaz Ayala
Robin Moore
Creolizing Contradance in the Caribbean Edited by Peter Manuel
Robin Moore
Governing Sound: The Cultural Politics of Trinidad's Carnival Musics by Jocelyne Guilbault
Bacchanalian Sentiments: Musical Experiences and Political Counterpoints in Trinidad by Kevin K. Birth
Music from Behind the Bridge: Steelband Spirit and Politics in Trinidad and Tobago by Shannon Dudley
Hope Munro Smith
Music and the Poetics of Production in the Bolivian Andes by Henry Stobart
Joshua Tucker

Spring/Summer 2010, 31:1

¿Decadencia o progreso? La música del siglo XVIII y el nacionalismo decimonónico
Alejandro Vera
Contemporary "Latin American" Composers of Art Music in the United States: Cosmopolitans Navigating Multiculturalism and Universalism
Marc Gidal
Music, Liturgy and Devotional Piety in New Spain: Baroque Religious Culture and the Re-evaluation of Religious Reform during the 18th Century
Jesus A. Ramos-Kittrell
Il Guarany for Foreigners: Colonialist Racism, Naïve Utopia or Pleasant Entertainment?
Durval Cesetti


Reviews

Sounds of the Modern nation: Music, Culture, and the Ideas in Post-Revolutionary Mexico by Alejandro L. Madrid
Andrés Amado
La Musique comme valeur sociale et symbole identitaire: L'exemple d'une communauté afro-anglaise en Colombie (île de Providence) by Marisol Rodríguez Manrique
Ron Emoff
Estudios sobre la obra de Astor Piazzolla Compiled by Omar García Brunelli
Michael O'Brien
La "invención" de la música indígena de México: Antropología e historia de las políticas culturales del siglo XX by Marina Alonso Bolaños
Daniel Sheehy
Creating Our Own: Folklore, Performance, and Identity in Cuzco, Peru by Zoila S. Mendoza
Joshua Tucker
The Routes of Rumba (CD) by Pedro Martínez and Román Díaz
Johnny Frias

Fall/Winter 2009, 30:2

Reinterpretations of the Son: Versions of Guillén's Motivos de son by Grenet, García Caturla, and Roldán
Noriko Manabe
"Come Back Home": Regional Travels, Global Encounters, and Local Nostalgias in Bahamian Popular Musics
Timothy Rommen
From Contradanza to Son: New Perspectives on the Prehistory of Cuban Popular Music
Peter Manuel
Apuntes para una prehistoria del mambo
Rubén López Cano


Reviews

Tango: Creation of a Cultural Icon by Jo Baim
Michael S. O'Brien
Historia social de la música popular en Chile, 1890–1950 by Juan Pablo González and Claudio Rolle
Steve Loza
La música y el Atlántico: Relaciones musicales entre España y Latinoamérica by Maria Gembero Ustárroz and Emilio Ros-Fabregas
Peter Manuel
Diccionario enciclopédico de la música en Cuba by Radamés Giro
Peter Manuel
Jesús María Sanromá: An American Twentieth-Century Pianist by Alberto Hernández
Donald Thompson
Dub: Soundscapes & Shattered Songs in Jamaican Reggae by Michael Veal
Wayne Marshall
Afrocuba de Matanzas: 50 Years On and Live at El Palenque—Havana 2005 Produced and directed by Christian Weaver
Rebecca Bodenheimer

Spring/Summer 2009, 30:1

The Acoustic Body: Rumba Guarapachanguera and Abakuá Sociality in Central Park
Berta Jottar
The Singing Voice and Racial Politics on the Brazilian Evangelical Music Scene
John Burdick
Appropriation in Reverse; or What Happens When Popular Music Goes Dodecaphonic
Fabio Akcelrud Durão and José Adriano Fenerick
Placer Culpable: Shame and Nostalgia in the Chilean 1990s Balada Revival
Daniel Party


Reviews

Imposing Harmony: Music and Society in Colonial Cuzco by Geoffrey Baker
Joshua Tucker
Seis casi-sonatas en cuartos de tono para violoncello solo by Julian Carrillo
Alejandro L. Madrid
Marimbas in Latinamerika. Historische Fakten unt Status quo der Marimbatraditionen in Mexiko, Guatemala, Belize, Honduras, El Salvador, Nicaragua, Costa Rica, Kolumbien, Ecuador, und Brasilien by Helmut Brenner
Carola Schormann
Kusisqa Waqashayku (DVD) by Holly Wissler
Kathryn Metz

Fall/Winter 2008, 29:2

Acúmulos e Vazios da Pesquisa Sobre o Rock Argentino (Accumulation and Gaps in the Research on Argentine Rock )
Adrián Fanju
La Flûte Indienne: The Early History of Andean Folkloric-Popular Music in France and its Impact on Nueva Canción
Fernando Rios
A propósito de nuevos sonidos para nuevos reinos: prescripciones y práctices músico-rituales en el área surandina colonial
Victor Rondón y Alejandro Vera
Danza antillana, conjuntos militares, nacionalismo musical e identidad dominicana: retomando los pasos perdidos del merengue
Edgardo Díaz Díaz


Reviews

Trinidad Carnival: The Cultural Politics of a Transnational Festival Edited by Garth L. Green and Philip W. Scher
Timothy Rommen
Los contrapunteos de la Música Cubana by Cristóbal Díaz Ayala
Robin Moore
The Music of Mauricio Kagel by Björn Heile
Deborah Schwartz-Kates
Those that Fly without Wings: Music and Dance in a Chilean Immigrant Community by Jan Sverre Knudsen
Molly White
Brazilian Popular Music: Caetano Veloso and the Regeneration of Tradition by Lorraine Leu
Krista Kateneva
From Quebradita to Duranguense: Dance in Mexican American Youth Culture by Sydney Hutchinson
Kim Kattari

Spring/Summer 2008, 29:1

Brazil in France, 1922: An Anthropological Study about the Congenital International Nexus of Popular Music
Rafael José de Menezes Bastos
Música e Fé: A cena religiosa no mercado fonográfico brasileiro
Eduardo Vicente
M. Camargo Guarnieri and the Influence of Mário de Andrade's Modernism
Sarah Tyrrell
Cultural Geographies of Afro-Brazilian Symbolic Practice: Tradition and Change in Maracatu de Nação (Recife, Pernambuco, Brazil)
Jerry D. Metz


Reviews

Choro: A Social History of a Brazilian Popular Music by Tamara Elena Livingston-Isenhour and Thomas George Caracas Garcia
Daniel Sharp
Music in Latin America and the Caribbean: An Encyclopedic History. Volume 1: Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico Edited by Malena Kuss
Jane L. Florine
Jibaro Hasta el Hueso (CD) Ecos de Borinquen, Para Todo Ustedes (CD) Los Pleneros de la 21, Viento de Agua Unplugged: Materia Prima (CD) Viento de Agua, Quisqueya en el Hudson/Dominican Music in New York City (CD)Various Artists
Julian Gerstin
La Bamba: Sones Jarochos from Veracruz; Los Camperos de Valles, El ave de mi Sonar: Mexican Sones Huastecos; Arpex, ¡Tierra Caliente! Music from the Hotlands of Michoacán (CDs) José Gutierrez y Los Hermanos Ochoa
Jesus A. Ramos-Kittrell
¡Llegaron Los Camperos! Concert Favorites of Nati Cano's Mariachi Los Camperos (CD) Nati Cano's Mariachi Los Camperos
Jesus A. Ramos-Kittrell
Havana & Matanzas, Cuba, ca. 1957: Batá, Bembé, and Palo Songs (CD) Lydia Cabrera and Josefina Tarafa
Michael Marcuzzi

Spring/Summer 2007, 28:1

El bambuco, los saberes mestizos y la academia: un análisis histórico de la persistencia de la colonialidad en los estudios musicales latinoamericanos
Carolina Santamaría Delgado
El chico duro de La Habana agresividad, desafío y cinismo en la timba cubana
Rubén López Cano
Tango Renovación: On the Uses of Music History in Post-Crisis Argentina
Morgan James Luker
Celebrity, "Crossover," and Cubanidad: Celia Cruz as "La Reina de Salsa," 1971–2003
Christina D. Abreu
El arpa diatónica paraguaya en la búsqueda del tekorã: representaciones de paraguayidad
Alfredo Colman

Reviews

El sonido del realismo mágico by Tomas Marco
David P. Appleby
Encuentros, visiones y repasos. Capítulos en el camino de mi música y mi vida by Juan Orrego Salas
Juan Pablo González
Polifonia tropical: experimentalismo e engajamento na música popular (Brasil e Cuba, 1967–1972) by Mariana Martins Villaça
Mareia Quintero Rivera
Timba: The Sound of Cuban Crisis by Vincenzo Perna
Robin Moore
Vodou Nation: Haitian Art Music and Cultural Nationalism by Michael Largey
Lois Wilken
Migration and Vodou by Karen E. Richman
Rebecca Sager
El Merengue: Música y Baile de la República Dominicana by Catana Pérez de Cuello and Rafael Solano; El Merengue en la Cultura Dominicana y del Caribe: Memorías del Primer Congreso Internacional "Música, Identidad y Cultura en el Caribe" Edited by Darío Tejeda and Rafael Emilio Yunén
Peter Manuel
Reinado do Rosário de Itapecerica (MG): Da Festa e dos Mistérios, Folia de Reis: Tradição e Fé (CDs)
Suzel Ana Reily

Fall/Winter 2007, 28:2

Music, Citizenship, and Violence in Postdictatorship Brazil
Frederick Moehn
Bandidos de Cristo: Representations of the Power of Criminal Factions in Rio's Proibidão Funk
Paul Sneed
Colonialidad y Poscolonialidad Musical en Colombia
Oscar Hernández Salgar
Histórias e historadores da música popular no Brasil
José Geraldo


Reviews

Alejandro García Caturla: A Cuban Composer in the Twentieth Century by Charles W. White
Mareia Quintero Rivera
Otra visión de la musica cubana by Leonardo Acosta
Alejandro L. Madrid and Liliana González Moreno
Arsenio Rodríguez and the Transnational Flows of Popular Music by David García
Susan Thomas
Hello, Hello Brazil: Popular Music in the Making of Modern Brazil by Bryan McCann
Frederick Moehn
Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific by Heidi Feldman
Joshua Tucker
Fandango: Searching for the White Monkey (Buscando el Mono Blanco) (DVD) Produced by Eugene Rodríguez and directed/edited by Ricardo Braojos
Alex E. Chávez

Fall/Winter 2006, 27:2

The Saga of a Song: Authorship and Ownership in the Case of "Guantanamera"
Peter Manuel
Imagining an Afro-Creole Nation: Eugène Mona's Music in Martinique of the 1980s
Dominique Cyrille
The Film Music of Alberto Ginastera: An Introduction to the Sources and Their Significance
Deborah Schwartz-Kates
Carlos Guastavino: A Re-evaluation of His Harmonic Language
Jonathan Kulp


Reviews

En Sinaloa nací: Historia de la música de banda by Helena Simonett
Daniel Sheehy
Music and Revolution: Cultural Change in Socialist Cuba by Robin Moore
Julian Gerstin
Carnival Music in Trinidad: Experiencing Music, Expressing Culture by Shannon Dudley
Hope Munro Smith
Mariachi Music in America: Experiencing Music, Expressing Culture by Daniel H. Sheehy
Cándida F. Jácquez
The Chrysanthemum and the Song. Music, Memory, and Identity in the South American Japanese Diaspora by Dale A. Olsen
Ketty Wong
Un siglo del ruiseñor by Guty Cárdenas; Guty Cárdenas: Leyenda o realidad by Beatriz Heredia y Rafael de Pau; Guty Cárdenas: Su vida y sus canciones by Luis Pérez Sabido; Guty Cárdenas: Cancionero Edited by Álvaro Vega and Enrique Martín
Helmut Brenner
A mi ciudad nativa/To my native city: Art Songs of Latin America (CD) by Patricia Caicedo and Eugenia Gassull
Jonathan Kulp

Spring/Summer 2006, 27:1

Editor's Note: A Selection of the Works of Gerard Béhague
Robin Moore


Theoretical or Issue-Oriented Works

A Performance and Listener-Centered Approach to Musical Analysis: Some Theoretical and Methodological Factors
Diversity and the Arts: Issues and Strategies
Gerard Béhague


Art Music Studies

Indianism in Latin American Art-Music Composition of the 1920s to 1940s: Case Studies from Mexico, Peru, and Brazil
La problemática de la identidad cultural en la música culta hispano-caribeña
La problemática de la posición socio-política del compositor en la música nueva en Latinoamérica
Gerard Béhague


State of Research of Brazilian Music

Música "erudita", "folclórica" e "popular" do Brasil: Interações e inferências para a musicologia e etnomusicologia modernas
Perspectivas atuais na pesquisa musical e estratégias analíticas da Música Popular Brasileira
Gerard Béhague


Globalization/Modernization

Rap, Reggae, Rock, or Samba: The Local and the Global in Brazilian Popular Music (1985–1995)
Regional and National Trends in Afro-Brazilian Religious Musics: A Case of Cultural Pluralism
Gerard Béhague


Reviews

Jazz Consciousness: Music, Race, and Humanity by Paul Austerlitz
David F. García
Blackface Cuba, 1840–1895 by Jill Lane
Robin Moore
Tambora: Baile cantado en Colombia by Guillermo Carbó Ronderos
Carolina Santamaría
Guitarra de Cristal: Contemporary Cuban Music for the Guitar (CD) Various composers
Alejandro L. Madrid
Rolas de Aztlán: Songs of the Chicano Movement Compiled, annotated, and produced by Estevan César Azcona and Russell Rodriguez
Brenda M. Romero

Fall/Winter 2005, 26:2

A Tribute to Gerard Béhague
John Mendell Schechter
Recordando a Isabel Aretz (13/04/1909–01/06/2005)
Ana María Locatelli de Pérgamo
¿De qué color es el oro?: Race, Environment, and the History of Cuban National Music, 1898–1958
Gregory T. Cushman
Encuentros: Dances of the Inti Raymi in Cotacachi, Ecuador
Michelle Wibbelsman
Carrasco or Mathías? Plagiarism and Corruption in an Eighteenth-Century Examen de Oposición from the Oaxaca Cathedral
Mark Brill
The Making of a Social History of Popular Music in Chile: Problems, Methods, and Results
Juan Pablo Gonzalez
El compositor español Hernando Franco (1532–85) antes de su llegada a México: trayectoria profesional en Portugal, Santo Domingo, Cuba y Guatemala
María Gembero Ustárroz
Ritual y espectáculo en la música indígena: El caso de los jóvenes toba del Chaco argentino
Silvia Citro


Reviews

Stories, Myths, Chants, and Songs of the Kuna Indians Edited and translated by Joel Sherzer
Greg Urban
Musical Migrations: Transnationalism and Cultural Hybridity in Latin/o America Edited by Frances R. Aparicio and Cándida F. Jáquez
Estevan Azcona
Rara! Vodou, Power, and Performance in Haiti and Its Diaspora by Elizabeth A. McAlister
Bryan Walls
Música para piano (CD) Ricardo Tacuchian
Márcio Bezerra

Spring/Summer 2005, 26:1

The Oaxaca Cathedral Exámen de Oposición and the Quest for a Modern Style
Mark Brill
Borderland Music as Symbolic Forms of Nationalism: The Best of the Texas Tornados, Partners, and ¡Viva Luckenbach!
Margaret E. Dorsey
Making it There: Piazzolla's New York Concerts
David Butler Cannata
Stravinsky y la constelación ideológica argentina en 1936
Omar Corrado
Film Music and Community Development in Rural Puerto Rico: The DIVEDCO Program (1948–1991)
Donald Thompson


Reviews

Andean Entrepreneurs: Otavalo Merchants and Musicians in the Global Arena by Lynn A. Meisch
Michelle Wibbelsman
Sounding Indigenous: Authenticity in Bolivian Music Performance by Michelle Bigenho
Elizabeth LaBate
Lenguajes, imaginarios y mediaciones en la canción popular montevideana (1962–1999) by Ernesto Donas y Denise Milstein
Marcos Napolitano
The Piano Works of Aurelio de la Vega (CD) Martha Marchena, piano
Carl Byron

Fall/Winter 2003, 24:2

Nationalism and Latin American Music: Selected Case Studies and Theoretical Considerations
Thomas Turino
Migration and Worldview in Salsa Music
Angel G. Quintero-Rivera, Roberto Márquez
An Anatomy of Creolization: Curaçao and the Antillean Waltz
Nanette de Jong
Música y radio en Mendoza, Argentina: la práctica musical de Tito Francia
María Inés García
Navigating Ideologies in "In-between" Cultures: Signifying Practices in Nor-Tec Music
Alejandro L. Madrid


Reviews

Live Samba: Analysis and Interpretation of Brazilian "Pagode" by Nascimento de Lima, Luiz Fernando
Samuel Araújo
Music of El Dorado: The Ethnomusicology of Ancient South American Cultures by Dale A. Olsen
Elizabeth LaBate
String Quartets (CDs) Heitor Villa-Lobos, Cuarteto Latinoamericano
Gerard Béhague

Fall/Winter 2004, 25:2

The Guajira between Cuba and Spain: A Study in Continuity and Change
Peter Manuel
Teresa Carreño (1853–1917): Remembered on Her 150th Anniversary
Robert Stevenson
Revueltas, the Chicago Years
Robert Parker
De Violeta Parra a Víctor Jara y Los Prisioneros: Recuperación de la memoria colectiva e identidad cultural a través de la música comprometida
Patricia Vilches
Virtuosa Virtuose: A Interpretação da Canção Brasileira na Visão de Mário de Andrade
Maria Elisa Pereira, Dorotéa Machado Kerr
A Special Homage: Alirio Díaz's Eightieth Birthday
Michel d'Arcangues


Reviews

Cuarteto Music and Dancing from Argentina: In Search of the Tunga-Tunga in Córdoba by Jane L. Florine
Pablo Vila
Samba Samba. Eine politikwissenschaftliche Untersuchung zur fernen Erotik Lateinamerikas in den Schlagern des 20. Jahrhunderts by Wolfgang Dietrich
Helmut Brenner
The Teatro Solís: 150 Years of Opera, Concert, and Ballet in Montevideo by Susana Salgado
Coriún Aharonián
Auxílio luxuoso: Samba símbolo nacional, geração Noel Rosa e indústria cultural by Wander Nunes Frota
Marcos Napolitano

Spring/Summer 2004, 25:1

Ethnographic Transcription and Music Ideology in Haiti: The Music of Werner A. Jaegerhuber
Michael Largey
Performing Gender in the Trinidad Calypso
Hope Munro Smith
Crear y sentir lo nuestro: La Misión Peruana de Arte Incaico y el impulso de la producción artístico-folklórica en Cusco
Zoila S. Mendoza
Identidad, arqueología e industrias transnacionales: la música de Joe Vasconcellos
Walescka Pino-Ojeda
Óperas e Mágicas em Teatros e Salões no Rio de Janeiro: Final do Século XIX, Início do Século XX
Vanda Lima Bellard Freire


Reviews

Reclaiming African Religions in Trinidad: The Socio-Political Legitimation of the Orisha and Spiritual Baptist Faiths by Frances Henry
Hope Munro Smith
Musical Cultures of Latin America: Global Effects, Past and Present by Steven Loza
Juan Pablo González
Cantoria nordestina: música e palavra by Elba Braga Ramalho
Elizabeth Travassos

Spring/Summer 2003, 24:1

This Issue of LAMR Is Dedicated to the Memory of José Maria Neves (20 August 1943–27 November 2002)
Gerard Béhague
Music in the Convents and Monasteries of Colonial Cuzco
Geoffrey Baker
Carlos Guastavino: The Intersection of "Música culta" and "Música popular" in Argentine Song
Jonathan Kulp
Música popular de masas, de medios, urbana o mesomúsica venezolana
José Peñín
Música e Fala: O Discurso Verbal em um Espetáculo de Samba
Luiz Fernando, Nascimento de Lima
Allegro ma non danzante: O Nacional-Popular em "O Banquete" de Mário de Andrade
Marcos Napolitano


Reviews

Rara! Vodou, Power, and Performance in Haiti and Its Diaspora by Elizabeth McAlister
Gage Averill
Voices of the Magi: Enchanted Journeys in South-East Brazil by Suzel Ana Reily
Frederick Moehn
Mujeres en la creación musical de México by Clara Meierovich
Joseph L. Arbena
Divine Utterances: The Performance of Afro-Cuban Santería by Katherine J. Hagedorn
Robin Moore
Ao encontro da palavra cantada by Claudia N. Matos, Elizabeth Travassos, Fernanda T. Medeiros
Marcos Napolitano
Calypso Awakening (2000, SFW CD 40453) Emory Cook, Kenneth Bilby, Keith Warner; Lord Invader: Calypso in New York (2000, SFW CD 40454) Lord Invader, Moses Asch
Shannon Dudley

Fall/Winter 2002, 23:2

White Rapper/Black Beats: Discovering a Race Problem in the Music of Gabriel o Pensador
Ben Bollig
Remaking the Brazilian Myth of National Foundation: Il Guarany
Maria Alice Volpe
Technology for the Resistance: A Latin American Case
Coriún Aharonián
Fiesta, música y banda: la Semana Santa en Catacaos, Perú
Virginia Yep


Reviews

Debating the past: Music, Memory, and Identity in the Andes by Raul R. Romero
Zoila S. Mendoza
Shaping Society through Dance: Mestizo Ritual Performance in the Peruvian Andes by Zoila S. Mendoza
Gerard Béhague
Recent Studies of Brazilian Music: Review Essay
A música no Brasil colonial by Ruy Vieira Nery
Música Viva e H. J. Koellreutter. Movimentos em direção à modernidade by Carlos Kater
Eunice Katunda: musicista brasileira by Carlos Kater
Ernst Widmer e o Ensino de Composição Musical na Bahia by Paulo Costa Lima
A trajetória das danças de negros na literatura pianística brasileira: um estudo histórico-analítico by Marcelo Macedo Cazarré
A fogueira de Xangô... o orixá do fogo. Uma introdução à música sacra afro-brasileira by Jose Flavio Pessoa De Barros
O banquete do rei... Olubajé... Uma introdução à música sacra afro-brasileira by Jose Flavio Pessoa De Barros
Feitiço Decente. Transformações do samba no Rio de Janeiro (1917–1933) by Carlos Sandroni
Seguindo a canção: engajamento político e indústria cultural na MPB (1959–1969) by Marcos Napolitano
Gerard Béhague

Spring/Summer 2002, 23:1

Brazilian Sources in Milhaud's Le Boeuf sur le Toit: A Discussion and a Musical Analysis
Manoel Aranha Corrêa do Lago
Performing São Paulo: Vanguard Representations of a Brazilian Cosmopolis
Charles A. Perrone
Colonial Capitalism, Hegemony, and Youth Praxis in Puerto Rico: Fiel a la Vega's Rock en Español
José Anazagasty-Rodríguez
Instrumental Rubato and Phrase Structure in Astor Piazzolla's Music
Martín Kutnowski
Revueltas in San Antonio and Mobile
Robert Parker
Los exámenes profesionales de Ponce y Revueltas en el Conservatorio Nacional de México
Jaime González-Quiñones


Reviews

East Indian Music in the West Indies: Tān-Singing, Chutney, and the Making of Indo-Caribbean Culture by Peter Manuel
Gregory Diethrich
Lydia Mendoza's Life in Music: La historia de Lydia Mendoza. (Norteño Tejano Legacies) by Yolanda Broyles-González
Manuel Peña
Juventino Rosas: His Life, His Work, His Time by Helmut Brenner
Ricardo Miranda
En la esencia de los estilos y otros ensayos by Julián Orbón
Alan West-Durán

Fall/Winter 2001, 22:2

An Introduction to the Colombian Bambuco
John Varney
Composition in Bahia, Brazil: Ernst Widmer and His Octatonic Strategies
Paulo Costa Lima
Ray Holman and the Changing Role of the Steelband, 1957–72
Shannon Dudley
The Younger Generation of Ecuadorian Composers
John L. Walker
"Barujo y La Pelotera": Encuentro de culturas en la obra musical y poética de tres músicos chocoanos
Alejandro Tobón Restrepo, María Eugenia Londoño F.
Raíces tangueras de la obra de Astor Piazzolla
Gabriela Mauriño


Review

Music in Cuba by Alejo Carpentier
Robin Moore

Spring/Summer 2001, 22:1

This Issue of LAMR Is Dedicated to Aurelio de la Vega on the Occasion of His Seventy-Fifth Birthday (28 November 2000)
Gerard Béhague
To Remember Captivity: The Congados of Southern Minas Gerais
Suzel Ana Reily
Aleke: New Music and New Identities in the Guianas
Kenneth Bilby
Tragedies and Celebrations: Imagining Foreign and Local Scholarships
Raúl R. Romero
El Bien y el Mal: música, alcohol y mujeres
Sergio Navarrete Pellicer
O Charme Chique da Canção de Chico Buarque: Táticas carnavalescas de transcender a opressão da ditadura
Steven F. Butterman


Report/Review

III Congreso Latinoamericano de la Asociación Internacional para el Estudio de la Música Popular (IASPM)
Juan Pablo González


Reviews

Recent Studies of Brazilian Music: Review-Essay
Enciclopédia da música brasileira: popular, erudita e folclórica by Marcos A. Marcondes
Vida Musical by Vasco Mariz
Os mandarins milagrosos. Arte e etnografia em Mário de Andrade e Béla Bartók by Elizabeth Travassos
Batuque jêje-ijexá em Porto Alegre. A música no culto aos orixás by Reginaldo Gil Braga
Tropicália. A história de uma evolução musical by Carlos Calado
Vida do viajante: A saga de Luiz Gonzaga by Dominique Dreyfus
O violão vadio de Baden Powell by Dominique Dreyfus
Gerard Béhague
Music, Race and Nation: Música Tropical in Colombia by Peter Wade
Javier F. León

Fall/Winter 2000, 21:2

Música é para o povo cantar: Culture, Politics, and Brazilian Song Festivals, 1965-1972
Sean Stroud
En Conga, Bonga y Campana: The Rise of Colombian Salsa
Lise Waxer
Guerra-Peixe e a Estilização do Folclore
Antonio Guerreiro de Faria
Antecedentes históricos del culto a San Baltazar en la Argentina: "La Cofradía de San Baltazar y Animas" (1772–1856)
Norberto Pablo Cirio


Review Essay

Music and Cultural Theory by John Shepherd and Peter Wicke
Pablo Vila


Reviews

Tito Puente and the Making of Latin Music by Loza Steven
Lise Waxer
The Social History of Brazilian Samba by Lisa Shaw
Samuel Araújo
La Música de los Viejitos: Hispano Folk Music of the Río Grande del Norte by Jack Loeffler, Katherine Loeffler, and Enrique Lamadrid
Peter J. García
International Dictionary of Black Composers by Samuel A. Floyd Jr.
Gerard Béhague

Spring/Summer 2000, 21:1

This Issue of LAMR Is Dedicated to Juan A. Orrego-Salas on the Occasion of His Eightieth Birthday (18 January 1999)
Gerard Béhague
Juan Orrego-Salas a los ochenta años
Luis Merino
Orrego-Salas in Half a Century of Sound Recordings
Ricardo Lorenz
Boundaries and Borders in the Study of Music in Latin America: A Conceptual Re-Mapping
Gerard Béhague
Rock with Punk with Pop with Folklore: Transformations and Renewal in Aterciopelados and Café Tacuba
Carmelo Esterrich and Javier H. Murillo
"Raise Yuh Hand, Jump up and Get on Bad!": New Developments in Soca Music in Trinidad
Lorraine Leu
"Já temos um passado": 40 anos do LP Chega de Saudade
Marcos Napolitano


Reviews

O Método de Pianoforte de José Maurício Nunes Garcia by Marcelo Fagerlande
Carlos Alberto Figueiredo
Music in Latin American Culture: Regional Traditions by John M. Schechter
Peter Manuel
The Big Drum Ritual of Carriacou: Praisesongs in Rememory of Flight by Lorna McDaniel
Stephen D. Glazier
The Political Calypso: True Opposition in Trinidad and Tobago, 1962–1987 by Louis Regis
Hope Munro Smith
South America, Mexico, Central America, and the Caribbean by Dale A. Olsen and Daniel E. Sheehy
Gerard Béhague
Songs and Romances
Carl Byron

Fall/Winter 1999, 20:2

This Issue of LAMR Is Dedicated to the Memory of Américo Paredes (3 September 1915–5 May 1999)
Gerard Béhague
From the Editor
G. B.
Peruvian Musical Scholarship and the Construction of an Academic Other
Javier F. León
Camargo Guarnieri e Mário de Andrade
Flávio Silva
Mário de Andrade e o lundu: uma apresentação
Flávia Camargo Toni
Cândido Inácio da Silva e o lundu
Mário de Andrade
Representaciones sobre el origen del "chamamé" entre migrantes correntinos residentes en Buenos Aires: Imaginario, música e identidad
Alejandra Cragnolini
Directory of Latin American and Caribbean Music Theses and Dissertations (1992–1998)
Ketty Wong


Reviews

A History of the Portuguese Fado by Paul Vernon
Salwa El-Shawan Castelo Branco
Rumba: Dance and Social Change in Contemporary Cuba by Yvonne Daniel
Olavo Alén Rodríguez
Cuando salí de La Habana, 1898-1997. Cien años de música cubana por el mundo by Cristobal Diaz Ayala
Robin Moore

Spring/Summer 1999, 20:1

Argentine Art Music and the Search for National Identity Mediated through a Symbolic Native Heritage: The "tradición gauchesca" and Felipe Boero's "El Matrero" (1929)
Deborah Schwartz-Kates
The Bolero: The Birth, Life, and Decline of Mexican Modernity
Mark Pedelty
Strike up the Tambora: A Social History of Sinaloan Band Music
Helena Simonett
As trilhas do Samba-Reggae: a invenção de um ritmo
Goli Guerreiro


Reviews

Santiago de Murcia's "Códice Saldívar No. 4": A Treasury of Secular Guitar Music from Baroque Mexico by Craig Russell and Santiago de Murcia
Scott Pauley
Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920–1940 by Robin Moore
Katherine J. Hagedorn
Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures by Frances R. Aparicio
Lise Waxer
A Day for the Hunter, a Day for the Prey: Popular Music and Power in Haiti by Gage Averill
Voegeli Juste-Constant

Fall/Winter 1998, 19:2

The Song of the Snake: Silvestre Revueltas' "Sensemayá"
Ricardo Zohn-Muldoon
Play It "Con Filin!": The Swing and Expression of Salsa
Christopher Washburne
Apropiaciones y estrategias políticas: una interpretación sobre la dinámica de cambio musical en contexto ritual
Irma Ruiz
Conversión religiosa y cambio cultural
Miguel A. García
La Plaza Tomada: Proceso histórico y etnogénesis musical entre los Chiriguano de Bolivia
Wálter Sánchez C.
Consideraciones teóricometodológicas en el estudio semiológico y contextual de la danza Yu'pa
Angel Acuña Delgado

Spring/Summer 1998, 19:1

Cultural Capital, Appropriate Transformations, and Transfer by Appropriation in Western Nicaragua: "El baile de la marimba"
T. M. Scruggs
"Cuarteto:" Dance-Hall Entertainment or People's Music?
Jane L. Florine
O estudo da modinha brasileira
Manuel Veiga
A Invenção da Música Popular Brasileira: Um Campo de Reflexão para a História Social
Marcos Napolitano


Brief Contribution

Lecuona, a Century Later
Aurelio de la Vega


Reviews

Nicaragua: música y canto by Salvador Cardenal Argüello
Organología del Folklore Hondureño by Jesús Muñoz Tábora
Instrumentos musicales del folclor costarricense by Rodrigo Salazar Salvatierra
T. M. Scruggs
Dancing Spirits: Rhythms and Rituals of Haitian Vodun, the Rada Rite. by Gerdès Fleurant
Gage Averill
Chicha Peruana: Música de los Nuevos Migrantes by Wilfredo Hurtado Suárez
Thomas Turino
Der Kampf des Hundes mit dem Jaguar. Bandas de pífanos in Nordbrasilien. Ein Beitrag zur Musikästethik by Regine Allgayer-Kaufmann
Virginia Yep

Fall/Winter 1997, 18:2

This Issue of LAMR Is Dedicated to the Memory of Francisco Curt Lange (12 December 1903–3 May 1997)
Gerard Béhague
The Rabeca and Its Music, Old and New, in Pernambuco, Brazil
John Murphy
Village Musical Life along the Río Grande: Tomé, New Mexico since 1739
John Koegel
Décima and Rumba: Iberian Formalism in the Heart of Afro-Cuban Song
Philip Pasmanick
Silvestre Revueltas in Republican Spain: Music as Political Utterance
Carol A. Hess
Los Congos de Villa Mella, República Dominicana
Carlos Hernández Soto and Edis Sánchez
La verdadera fecha de la muerte de Manuel de Sumaya
Jaime González Quiñones


Reviews

Merengue: Dominican Music and Dominican Identity by Paul Austerlitz
Jorge Duany
María Grever: poeta y compositora by Maria Luisa Rodriguez Lee
María Herrera-Sobek
Music of the Warao of Venezuela; Song People of the Rain Forest by Dale A. Olsen
Sharon Girard
Instrumental & Electronic Music
The Extended Piano
Transmutations
Trilogy by Alcides Lanza and Meg Sheppard
Percussion Music from the Americas
Gerard Béhague

Spring/Summer 1997, 18:1

Viewing the Ethnomusicological Past: Jesuit Influences on Araucanian Music in Colonial Chile
Beth K. Aracena
Decoding Oral Musical Tradition: Yagua Women's Songs, a Case Study
Susana Weich-Shahak
Embedded Truths: Creativity and Context in Spiritual Baptist Music
Stephen D. Glazier
Nuevos datos sobre la historia de la música en Puerto Rico: Pedro Núñez de Ortega, arcabucero y maestro de capilla
Rita Goldberg
O Dinheiro na Música Popular Brasileira
Ruben George Oliven


Reviews

¡Tango! The Dance, the Song, the Story by Simon Collier, Artemis Cooper, Maria Susana Azzi, and Richard Martin
Tango and the Political Economy of Passion by Martha E. Savigliano
Pablo Vila
Diccionario de Música en México by Gabriel Pareyon
E. Thomas Stanford
Música latinoamericana y caribeña by Zoila Gomez Garcia and Victoria Eli Rodriguez
Gerard Béhague
Rhythms of Rapture: Sacred Musics of Haitian Vodou by Elizabeth McAlister
Voegeli Juste-Constant

Fall/Winter 1996, 17:2

This Issue of LAMR Is Dedicated to Professor Robert M. Stevenson
Musical Difference, Competition, and Conflict: The Maracatu Groups in the Pernambuco Carnival, Brazil
Tiago de Oliveira Pinto
Co-option, Cultural Resistance, and Afro-Brazilian Identity: A History of the Pagode Samba Movement in Rio de Janeiro
Philip Galinsky
The New Mexican Early Ballad Tradition: Reconsidering the New Mexican Folklorists' Contribution to Songs of Intercultural Conflict
Peter J. García


Letter to the Editor

A Response to Melanie Plesch
Richard Pinnell


Reviews

Rethinking the Popular: Recent Essays on Caribbean Music and Identity
¡Salsa! Havana Beat, Bronx Beat by Hernando Calvo Ospina and Nick Caistor
Rumba: Dance and Social Change in Contemporary Cuba by Yvonne Daniel
My Music Is My Flag: Puerto Rican Musicians and Their New York Communities by Ruth Glasser
Essays on Cuban Music: North American and Cuban Perspectives by Peter Manuel
Caribbean Currents: Caribbean Music from Rumba to Reggae by Peter Manuel, Kenneth Bilby, and Michael Largey
Bachata: A Social History of Dominican Popular Music by Deborah Pacini Hernández
Life on the Hyphen: The Cuban-American Way by Gustavo Pérez Firmat
Jorge Duany
Sworn to the Drum: A Tribute to Francisco Aguabella by Les Blank
Steven Cornelius
Tinka de Alpaca, Wylancha, The Festival of Mamacha Carmen, Musical Instruments and Genres of Lambayeque by Gisela Cánepa-Koch
The Preservation Project of Traditional Andean Music by Raúl Romero
Zoila Mendoza-Walker

Spring/Summer 1996, 17:1

Puerto Rican Affirmation and Denial of Musical Nationalism: The Cases of Campos Parsi and Aponte Ledée
Edgardo Díaz Díaz
Indicios, sociabilización y performance en las danzas nocturnas de los wičí del chaco argentino
Miguel A. García
A Presença do Cancioneiro Ibérico na Lírica de José de Anchieta—Um Enfoque Musicológico
Rogério Budasz


Reviews

Cuba canta y baila: Discografía de la música cubana. Vol. 1, 1898 a. 1925 by Cristóbal Díaz Ayala
Robin Moore
Heitor Villa-Lobos. The Life and Works, 1887–1959 by Eero Tarasti
Gerard Béhague
Reminiscências Op., 83. and Homenagem a Villa-Lobos by Marlos Nobre
Douze etudes/Doze Estudos by Heitor Villa-Lobos
Orchestral, Vocal and Chamber Works by Marlos Nobre
Gerard Béhague
Communications and Announcements
Muere el compositor puertorriqueño Amaury Veray. Amaury Veray: soledad y redención en la metáfora del sonido
Edgardo Díaz Díaz

Fall/Winter 1995, 16:2

Jíbaro Image and the Ecology of Hawai'i Puerto Rican Musical Instruments
Ted Solís
Domingo Delgado Gómez (1806–56): Puerto Rican Master Composer
Daniel Mendoza de Arce
The Commercial Rumba: Afrocuban Arts as International Popular Culture
Robin Moore
Zarabanda: Esquemas rítmicos de acompañamiento en 6/8
Pedro van der Lee
Directory of Latin American Films and Videos: Music, Dance, Mask, and Ritual
Nancy Schaeffer


Reviews

The Rioplatense Guitar. Volume I: The Early Guitar and Its Context in Argentina and Uruguay by Richard Pinnell and Ricardo Zavadivker
Melanie Plesch
Music and Black Ethnicity, the Caribbean and South America by Gerard H. Béhague
Denis-Constant Martin
Carnival in Q'eros by John Cohen
Dancing with the Incas by John Cohen
Zoila Mendoza-Walker

Spring/Summer 1995, 16:1

Music for the Elite: Musical Societies in Imperial Rio de Janeiro
Cristina Magaldi
Personalizing Public Symbols through Music Ritual: Santería's Presentation to Aña
Steven Cornelius
La obra de Juventino Rosas: Un acercamiento musicológico
Helmut Brenner
Quitarse la ropa y cantando al sexo: Gloria Trevi y la trampa rockera de la juventud mexicana
Fabio Correa


Reviews

De lo afrocubano a la salsa: géneros musicales de Cuba by Olavo Alén Rodríguez
Jorge Duany
Heitor Villa-Lobos: The Search for Brazil's Musical Soul by Gerard Béhague
José Maria Neves
Recent Studies of Brazilian Music: Review-Essay
Chega de Saudade: A história e as histórias da bossa nova by Ruy Castro
The Brazilian sound: Samba, Bossa Nova, and the Popular Music of Brazil by Chris McGowan and Ricardo Pessanha
Acervo de manuscritos musicais. Coleção Francisco Curt Lange. Compositores Mineiros dos Séculos XVIII e XIX by Régis Duprat
Mestre de capela da Misericórdia da Bahia, 1647–1810 by Jamie C. Diniz
Villa-Lobos by Lisa M. Peppercorn
Villa-Lobos. The Music: An Analysis of His Style by Lisa M. Peppercorn
Villa Lobos. Collected Studies by Lisa M. Peppercorn
Ring of Liberation. Deceptive Discourse in Brazilian Capoeira by J. Lowell Lewis
Gerard Béhague
Lorenzo y Los Reyes de Albuquerque. Música Antigua (The Social Dance Music Tradition in Northern New Mexico) by Roberto Martínez
Peter J. García

Fall/Winter 1994, 15:2

This Issue of LAMR Is Dedicated to the Memory of Manuel Enríquez (17 June 1926–26 April 1994)
Gerard Béhague
Of Mambo Kings and Songs of Love: Dance Music in Havana and New York from the 1930s to the 1950s
Lise Waxer
Carlos Chávez's Orchestral Tribute to the Discovery of San Francisco Bay
Robert Parker
Factores de identidad musical latinoamericana tras cinco siglos de conquista, dominación y mestizaje
Coriún Aharonián
Sonancias III, Opus 49 de Marlos Nobre
Maria Luiza Corker Nobre


Reviews

Keepers of the Sacred Chants: The Poetics of Ritual Power in an Amazonian Society by Jonathan D. Hill
Dale A. Olsen
The Wood That Sings: The Marimba in Chiapas, Mexico by Laurence Kaptain
Maderas Que Cantan by Annabella Muñoz Rincón
Huapango by Marimba Yajalón
T. M. Scruggs
Moving away from Silence: Music of the Peruvian Altiplano and the Experience of Urban Migration by Thomas Turino
Elisabeth den Otter

Fall/Winter 1993, 14:2

The Cronistas de Indias Revisited: Historical Reports, Archeological Evidence, and Literary and Artistic Traces of Indigenous Music and Dance in the Greater Antilles at the Time of the Conquista
Donald Thompson
Aesthetics of Opacity and Transparence: Myth, Music, and Ritual in the Xangô Cult and in the Western Art Tradition
José Jorge de Carvalho
Juan Gabriel: Cultura Popular y Sexo de los Angeles
Gustavo Geirola
El Vals Peruano
Virginia Yep


Reviews

Essays on Cuban Music: North American and Cuban Perspectives by Peter Manuel
Lucy Durán
Historia de la canción popular en Puerto Rico (1493–1898) by Pedro Malavet Vega
Donald Thompson
Villa-Lobos by Simon Wright
Gerard Béhague
As cantoras do rádio: 50 anos de som e imagem da MPB
Irati Antonio

Spring/Summer 1993, 14:1

This Issue of LAMR Is Dedicated to the Memory of Luiz Heitor Corrêa de Azevedo (13 December 1905–10 November 1992)
Gerard Béhague
Okarilé: Yemoja's Icon Tune
Rita Laura Segato
Décima, Seis, and the Art of the Puertorican Trovador within the Modern Social Context
Prisco Hernández
Huayño, Saya, and Chuntunqui: Bolivian Identity in the Music of "Los Kjarkas"
Gilka Wara Céspedes
La Música Uruguaya en los Festejos de 1892 con Motivo del IV Centenario del Encuentro de Dos Mundos
Leonardo Manzino
A Ópera Tiradentes de Manuel Joaquim de Macedo e Augusto de Lima
Sandra Loureiro de Freitas Reis
Directory of Latin American and Caribbean Music Theses and Dissertations since 1988
Robin Moore


Review

Salsiology. Afro-Cuban Music and the Evolution of Salsa in New York City by Vernon W. Boggs
Gerard Béhague

Fall/Winter 1992, 13:2

This Issue of LAMR Is Dedicated to the Memory of Gilbert Chase (4 September 1906–22 February 1992)
Gerard Béhague
The "Nueva Canción" Movement and Its Mass-Mediated Performance Context
Jane Tumas-Serna
Procesos socioculturales y rasgos de identidad en los géneros musicales con referencia especial a la música cubana
Danilo Orozco González
From Veracruz to Los Angeles: The Reinterpretation of the Son Jarocho
Steven Loza
El minué. Supervivencia de una danza aristocrática en el salón romántico rioplatense
Juan María Veniard
¡Viva María! La música para la Virgen en las misiones de Chiquitos
Leonardo Waisman
Los pardos y la sociedad colonial de Buenos Aires hacia fines del siglo XVIII
Waldemar Axel Roldán
Report on Music in Cuba Today
Charles W. White


Letter to the Editor

[Letter from Laurence Kaptain]
Laurence Kaptain


Reviews

Music and Dance in Puerto Rico from the Age of Columbus to Modern Times: An Annotated Bibliography by Donald Thompson, Annie Thompson, and Malena Kuss
Catherine Dower
Julián Orbón, a Biographical and Critical Essay by Velia Yedra
Aurelio de la Vega

Spring/Summer 1992, 13:1

Power, Ambivalence, and the Remaking of Haitian Vodoun Music in New York
Lois E. Wilcken
Music in Mérida, Yucatan
Philip K. Bock
Corrientes Musicales de Corrientes, Argentina
Rubén Pérez Bugallo
Especulación y verdad: Novedad histórica en la biografía más temprana de Carlos Chávez
Clara Meierovich


Reviews

Dance Cadence by B. Mandelson
Monique Desroches
Capoeira, Samba, Candomblé: Afro-Brazilian Music in Bahia by Tiago de Oliveira Pinto
Ralph Cole Waddey
Kachi-Kachi, Puerto Rican Music in Hawai'i by Ted Solís
Laurie Kay Sommers

Fall/Winter 1991, 12:2

La lucha sonora: Dominican Popular Music in the Post-Trujillo Era
Deborah Pacini Hernández
Instrumentos musicales tradicionales en la comunidad artesanal Walata Grande, Bolivia
Ramiro Gutiérrez Condori
A Recurring Melodic Cell in the Music of Carlos Chávez
Robert L. Parker
African-Derived Rhythmical and Metrical Elements in Selected Songs of Alejandro García Caturla and Amadeo Roldán
José Manuel Lezcano
Estilo e Personalidade na Música do Ciclo do Ouro em Minas Gerais
Guilherme Werlang


Reviews

Música y Sociedad Coloniales. Lima 1680-1830 by Juan Carlos Estenssoro
Gerard Béhague


Record Reviews

Música Etnográfica y Folklórica del Ecuador by Carlos Alberto Coba Andrade, José Peñín, Ronny Velásquez, and Marcelo Valdospinos Rubio
John M. Schechter
Street Music of Panama: Cumbias, Tamboritos, and Mejoranas by Michel Blaise
Ronald R. Smith
Nicaraguan Folk Music from Masaya: Música Folklórica de Masaya by T. M. Scruggs
Robert Garfias

Spring/Summer 1991, 12:1

Technology and Culture Change: The Development of the Berimbau in Colonial Brazil
Richard Graham
Songs, Identity, and Women's Liberation in Nicaragua
Barbara Seitz
Bibliografía, Centros de Investigación y Archivos Sonoros de Música Tradicional en Latinoamérica
Ercilia Moreno Chá
Antonio Gomezanda y el Nacionalismo Romántico Mexicano
Jorge Velazco


Reviews

¡Chayraq! Carnaval Ayacuchano by Chalena Vasquez Rodriguez and Abilio Vergara Figueroa
Thomas Turino
Celebrando Villa-Lobos
Villa-Lobos by Eduardo Storni
Villa-Lobos, sua Obra by Museu Villa-Lobos
Heitor Villa-Lobos by Vasco Mariz
José Maria Neves
Nicaragua... Presente! - Music from Nicaragua Libre by John McCutcheon, Paul Reisler, and Bill Nowlin
Patria: Music from Honduras and Nicaragua by David Blair Stiffler
T. M. Scruggs
Brazil: Forró, Music for Maids and Taxi Drivers
Accordion Forró from Brazil by Asa Branca
Samuel Araújo

Fall/Winter 1990, 11:2

Drum Patterns in the "Batuque" of Benedito Caxias
Gerhard Kubik
The Cuban Son as Form, Genre, and Symbol
James Robbins
Contemporary Ethnomusicology in Mexico
Steven Loza
La Música Tradicional Garífuna en Guatemala
Alfonso Arrivillaga Cortés
Muros Verdes and the Creation of a New Musical Space
Ricardo Miranda-Pérez


Reviews

Review-Essay
Salsa, Plena, and Danza: Recent Materials on Puerto Rican Popular Music
Salsa: Latin Music of New York and Puerto Rico by Jeremy Marre
Salsa! The Latin Music of New York and Puerto Rico by Jeremy Marre and Hannah Charlton
Plena Is Work, Plena Is Song by Pedro A. Rivera and Susan Zeig
Music, Social Classes, and the National Question of Puerto Rico by A. G. Quintero Rivera
Jorge Duany
La binarización de los ritmos ternarios africanos en América Latina by Pérez Fernández and Rolando Antonio
Steven Loza
Roots, Rock, Reggae [Film] Jeremy Marre
Roots, Rock, Reggae [Chapter] Jeremy Marre and Hannah Charlton
Robert Witmer

Spring/Summer 1990, 11:1

Musical Change and Cultural Resistance in the Central Andes of Peru
Raúl R. Romero
Cayetano Carreño (1774–1836): En Torno a su Cuna y su Obra. A Robert Stevenson, ofrenda de admiración
Miguel Castillo Didier
Paradoxical Ethnicity: Puerto Rican Musicians in Post World War I New York City
Ruth Glasser
From Popular Culture to Microenterprise: The History of Brazilian Samba Schools
Alison Raphael
Notes on the Inauguration of the San Juan (Puerto Rico) Municipal Theater
Donald Thompson
Letter to the Editor  [Letter from James Robbins]
James Robbins


Reviews

Recent Publications on Brazilian Song/Popular Music
Convergências: poesia concreta e tropicalismo by Lúcia Santaella
Pequena história de música popular: da modinha ao tropicalismo by José Ramos Tinhorão
A canção: eficácia e encanto by Luiz Tatit
Música impopular by Júlio Medaglia
MPB: o canto e a canção by José Maria De Souza Dantas
Songbook: Caetano Veloso by Almir Chediak
Charles A. Perrone
La "Cantata Criolla" de Antonio Estévez by Hugo López Chirico
Gerard Béhague
La música de las sociedades de tumba francesa en Cuba by Olavo Alén R.
Gerard Béhague
Calypso Pioneers: 1912–1937
Where Was Butler? A Calypso Documentary from Trinidad by Richard K. Spottswood
Daniel J. Crowley
Music of the Tukano and Cuna Peoples of Colombia by Brian Moser and Donald Tyler
Egberto Bermúdez

Fall/Winter 1989, 10:2

Haitian Dance Bands, 1915–1970: Class, Race, and Authenticity
Gage Averill
Puerto Rican Jazz and the Incorporation of Folk Music: An Analysis of New Musical Directions
Warren R. Pinckney Jr.
"Inti-Illimani" and the Artistic Treatment of Folklore
Juan Pablo González
Apuntes Sobre La Creación Musical Actual en Cuba
Victoria Elí Rodríguez


Reviews

Musique du vaudou: fonctions, structures, et styles by Claude Dauphin
Lois E. Wilcken
Les Musiques Guadeloupéennes dans le Champ Culturel Afro-Américain, au Sein des Musiques du Monde
Jocelyne Guilbault
Estudios recientes sobre el tango
The Life, Music and Times of Carlos Gardel by Simon Collier
Carlos Gardel. L'âge d'or du tango by Edmundo Eichelbaum
El bandoneón desde el tango. Petite histoire du bandoneon et du tango by Arturo Penon and Javier Garcia Mendez
Ramón Pelinski
Victor Fuks: Five Videos on Waiãpi Indians of Brazil
Music, Dance, and Festival among the Waiãpi Indians of Brazil by Victor Fuks
Waiãpi Instrumental Music by Victor Fuks
Laura Graham

Spring/Summer 1989, 10:1

Argentina's Rock Nacional: The Struggle for Meaning
Pablo Vila
Musical Interaction: A Bolivian Mestizo Perspective
Ellen Leichtman
Panorama of the Music in the Cathedral of San Juan, Puerto Rico, 1749–1857
Daniel Mendoza de Arce
Social Identity and Class in Bachata, an Emerging Dominican Popular Music
Deborah Pacini
Les Turè, des Clarinettes Amazoniennes
Jean-Michel Beaudet
La Contradanza Cubana y Manuel Saumell
Nohema Fernández
Lluvia, Rumba y Campanas en los Paisajes Cubanos de Leo Brouwer y Otros Temas (Una conversación con Leo Brouwer)
Vladimir Wistuba-Alvarez
Directory of Latin American and Caribbean Music Theses and Dissertations (1984–1988)
Maria Elizabeth Lucas


Reviews

Historia de la música en Venezuela. Periodo hispánico con referencias al teatro y la danza by Alberto Calzavara
Walter Guido
Música colonial en la Argentina. La enseñanza musical by Waldemar Axel Roldan
Carmen García Muñoz


Responses

Correspondence on "Cuba's Bola de Nieve..." (LAMR Vol. 9, no. 1, 18–49)
Cristóbal Díaz, Glenn Jacobs, José A. Gemeil

Fall/Winter 1988, 9:2

The Music of Andean Migrants in Lima, Peru: Demographics, Social Power, and Style
Thomas Turino
Music, Dance, and Beer in an Amazonian Indian Community
Victor Fuks
La música costeña colombiana en la tercera década del siglo XIX
Adolfo González Henríquez
Juan Carlos Paz: A Latin American Supporter of the International Avant-Garde
Michelle Tabor


Short Studies

Music in the Constitutions of the Diocese of Puerto Rico (1604)
Daniel Mendoza de Arce
Reavaliando Villa-Lobos no seu centenário
Vasco Mariz


Report

Brazil Projects
Charles A. Perrone


Reviews

Why Suyá Sing. A Musical Anthropology of an Amazonian People by Anthony Seeger
Gerard Béhague
La Musique dans la Société Antillaise, 1635–1902 by Jacqueline Rosemain
Jocelyne Guilbault
Música y descolonización by Leonardo Acosta
Maria Elizabeth Lucas
La Sangre de los Cerros/Urqukunapa Yawarnin: Antología de la Poesía Quechua que se Canta en el Perú by Rodrigo Montoya, Edwin Montoya, and Luis Montoya
José A. Lloréns
O Mundo Sonoro Xavante by Desidério Aytai
Victor Fuks

Spring/Summer 1988, 9:1

Colonial Music from the Episcopal Archive of Concepción, Bolivia
T. Frank Kennedy
Cuba's Bola de Nieve: A Creative Looking Glass for Culture and the Artistic Self
Glenn Jacobs
Brega: Music and Conflict in Urban Brazil
Samuel M. Araújo
"The Woman Makes (And Breaks) the Man": The Masculine Imagery in Brazilian Popular Music
Ruben George Oliven


Reviews

La música de Guatemala en el siglo XVIII by Alfred E. Lemmon
Rui Vieira Nery
La música en la vida de los Yaquis by Leticia R. Varela
Arturo Chamorro

Fall/Winter 1987, 8:2

Leo Brouwer: A Portrait of the Artist in Socialist Cuba
Paul Century
Sensemayá: A Chant for Killing a Snake
Charles K. Hoag
Dislates en la obra Teresa Carreño, de Marta Milinowski
Mario Milanca Guzmán
Claudio Arrau evoca a Teresa Carreño
Mario Milanca Guzmán
Music for a Changing Community: Three Generations of a Chicano Family Orquesta
Manuel Peña


Short Studies/Reports

Villa-Lobos de Rubinstein
Carlos Kater
Villa-Lobos in His Centennial: A Preliminary Research Report, 254–261
Charles Jacobs
Introducción al estudio de la música popular criolla en Lima, Perú, 262–268
José A. Lloréns


Reviews

Review Essay
La música de México by Julio Estrada
Esperanza Pulido and Juan José Escorza
Recent Studies of Brazilian Music
Música contemporânea brasileira by José Maria Neves
Francisco Mignone--vida e obra by Bruno Kiefer
Garimpo musical by Régis Duprat
Luiz Heitor Corrêa de Azevedo: 80 anos. Depoimentos, Estudos, Ensaios de musicologia by Dulce Martins Lama
Organistas da Bahia, 1750–1850 by Jaime C. Diniz
Brasilien. Einführung in Musiktraditionen Brasiliens by Tiago De Oliveira Pinto
Heitor Villa-Lobos by Luis Paulo Horta
Gerard Béhague
Música tradicional del Valle del Mantaro by Raúl Romero and Manuel Ráez
Thomas Turino

Spring/Summer 1987, 8:1

Articles

"Local" and "Foreign": The Popular Music Culture of Kingston, Jamaica, before Ska, Rock Steady, and Reggae
Robert Witmer
Steel Band Music in Trinidad and Tobago: The Creation of a People's Music
William R. Aho
Expresiones Musicales, Religiosas y Profanas Tradicionales de la Celebración de Semana Santa en el Norte del Departamento de Chuquisaca (Bolivia)
Héctor Luis Goyena
Alternativas del Proceso de Cambio de un Repertorio Tradicional Argentino
Ercilia Moreno Chá

Reviews

Q'ero, Pueblo y Música
Rodolfo Holzmann
Review Author[s]: Raúl R. Romero
Ritmos brasileiros e seus instrumentos de percussão
Edgard Nunes Rocca
Review Author[s]: Larry Crook
A Quick Encounter with Brazil's Art Music through Some Recent Recordings: Review Essay
Documentos da música brasileira: Vol. 15
Henrique Oswald
Documentos da música brasileira: Vol. 13
16 valsas para fagote solo
Caio Pagano
Música de câmara do Brasil
Documentos da música brasileira: Vol. 8
Música de câmara brasileira: Vol. 2
Música brasileira
Conjunto "Música Nova" da UFBa
Compositores da Bahia: Vol. 5
Choros of Heitor Villa-Lobos
Villa-Lobos (Guitar Music)
Disco é cultura
Luigi Irlandini
Ricardo Tacuchian
Estórias para voz, instrumentos acústicos e eletrônicos
Review Author[s]: Aurelio de la Vega
Antología de la música afrocubana
Review Author[s]: Larry Crook
Peru: Ayarachi and Chiriguano
Xavier Bellenger
Review Author[s]: Dale Olsen
La Música de los Guahibos. Sikuani-Cuiba
Benjamin Yepez Chamorro
Review Author[s]: Anthony Seeger

Fall/Winter 1986, 7:2

Special Issue Honoring Gilbert Chase
Gerard Béhague

Articles

William Walker's "Southern Harmony": Its Basic Editions
Harry Eskew
Joshua Leavitt's "The Christian Lyre" and the Beginning of the Popular Tradition in American Religious Song
James C. Downey
Reflexiones Sobre La Biografía y Producción Musical del Padre Antonio Soler (1729-1783)
Miguel Querol
Convento de Predicadores de Nuestro Padre Santo Domingo de Córdoba (Argentina)
Francisco Curt Lange
Convento de San Lorenzo de Nuestra Señora de la Merced, Córdoba, Argentina
Francisco Curt Lange
O Compositor Latino-Americano e o Universo Sonoro deste Fim de Século
Luiz Heitor Corrêa de Azevedo
La Música en el Libro "Inventarios" de la Catedral de Caracas (1806-1913)
Walter Guido
An Annotated Interdisciplinary Bibliography and Discography of Brazilian Popular Music
Charles A. Perrone
The Original Version of "Janitzio," by Silvestre Revueltas
Jorge Velazco

Reviews

José Ángel Lamas y su época
Walter Guido
Review Author[s]: Alejandro Enrique Planchart
Juan Bautista Plaza: Una vida por la música y por Venezuela (Ensayo de biografía documental)
Miguel Castillo Didier
Review Author[s]: Alejandro Enrique Planchart
El piano en las obras de Roque Cordero
Priscilla Filos Gooch
Review Author[s]: John Edward Brawand
Review Essay: Recent Publications on Peruvian Music (1981-1985)
La música en el Perú
César Bolaños
Arequipa: música y pueblo
Carpio Muñoz, Juan Guillermo
Huaynos del Cusco
Gloria Escobar, Gabriel Escobar
Música cusqueña: antología siglos XIX-XX
Instituto Americano de Arte
Música popular en Lima: criollos y andinos
José Antonio Lloréns
Antología de la canción poética quechua en el Perú
Rodrigo Montoya, Luis Montoya, Edwin Montoya
Music and Dance of Indians and Mestizos in an Andean Valley of Peru
Elisabeth den Otter
El siku bipolar altiplánico, vol. I: Los sikuris y pusamorenos
Américo Valencia Chacón
La práctica músical de la población negra en el Perú
Vásquez Rodríguez, Rosa Elena
Música y danzas folklóricas de Piura
Pina Zúñiga de Riofrío
Review Author[s]: Thomas Turino
The Study of Ethnomusicology
Bruno Nettl
Review Author[s]: Steven Feld
Errata: Juan José Castro's "Corales Criollos"

Spring/Summer 1986, 7:1

Articles

The Ecuadorean "Pasillo": "Música Popular," "Música Nacional," or "Música Folklórica"?
Johannes Riedel
Juan José Castro's "Corales Criollos"
Enrique Alberto Arias
Música, Cultura e Sociedade no Alto-Xingu: A Teoria Musical dos Indios Kamayurá
Rafael José de Menezes Bastos
Oscar Lorenzo Fernândez: Música para Piano Solo, Canções para Voz e Piano
Bruno Kiefer

Reviews

The Texas-Mexican Conjunto: History of a Working-Class Music
Manuel Peña
Review Author[s]: William J. Gradante
Música de la época colonial en Guatemala. Primera antología
Dieter Lenhoff
Review Author[s]: Robert J. Snow
Del canto y del tiempo
Argeliers León
Review Author[s]: Isabelle Leymarie
Cipriano con la Nueva Canción Nuevomexicana
Cipriano Virgil
Review Author[s]: Enrique R. Lamadrid
Antología del son de México: Tixtla, la Costa Chica e Istmo
Eduardo Llerenas, Barug Lieberman, Enrique Ramírez de Arellano
Review Author[s]: Arturo Chamorro
Mountain Music of Peru
John Cohen
Review Author[s]: Thomas Turino

Fall/Winter 1985, 6:2

Articles

"The Art of the Fugue": Musical Presence in Alejo Carpentier's "Los pasos perdidos"
Roland E. Bush
Traditions, Experiment, and Change in Contemporary Latin America
Juan Orrego-Salas
Danzas Y Bailes En El Ecuador
Carlos Alberto, Coba Andrade
A Atividade Musical Na Igreja De São José Do Rio De Janeiro
Francisco Curt Lange

Short Studies

H. Villa-Lobos in Paris
Lisa M. Peppercorn
The Anticipated Bass in Cuban Popular Music
Peter Manuel
Gonzalo Cordero, primer maestro de capilla de la Catedral de Caracas
Alberto Calzavara

Reviews

História da música no Brasil
Vasco Mariz
Review Author[s]: Carleton Sprague Smith
Método práctico de guitarrón (Practical Method for the Guitarrón)
Natividad De Santiago González, Jonathan D. Clark
Review Author[s]: Philip Sonnichsen
Modinhas Luso-Brasileiras
Gerhard Doderer
Review Author[s]: Rui Vieira Nery
Escuchen Nuestras Voces/Hear Our Voices; Canciones de Refugiados Salvadoren̄os/Songs from Salvadorean Refugees
Sabiá
Review Author[s]: T. M. Scruggs

Spring/Summer 1985, 6:1

Articles

Myth, Spirit Naming, and the Art of Microtonal Rising: Childbirth Rituals of the Arawakan Wakuénai
Jonathan D. Hill
A St. Lucian "Kwadril" Evening
Jocelyne Guilbault
From Noigandres to "Milagre da Alegria": The Concrete Poets and Contemporary Brazilian Popular Music
Charles A. Perrone

Alberto Ginastera (1916-1983): In Memoriam

Remembering Alberto Ginastera
Gilbert Chase
Alberto Ginastera's "Duo for Flute and Oboe"
Carleton Sprague Smith
Ginastera's Arrangement of an Organ "Toccata" by Domenico Zipoli: Some Recollections about the Career of a Master Composer
Robert Stevenson
The Composer-Publisher Relationship: Chronicle of a Friendship
W. Stuart Pope

Reviews

La música dominicana: siglos XIX-XX
Bernarda Jorge
Review Author[s]: Martha Ellen Davis
Puerto Rican Music following the Spanish-American War: 1898, the Aftermath of the Spanish-American War and Its Influence on the Musical Culture of Puerto Rico
Catherine Dower
Review Author[s]: Donald Thompson
Cluzeau-Mortet
Susana Salgado
Review Author[s]: Gerard Béhague
The Cuban "Danzón": Its Ancestors and Descendants
Andrew Schloss
Carnival in Cuba
Andrew Schloss
Review Author[s]: Daniel J. Crowley

Fall/Winter 1984, 5:2

Articles

The Language of Power: Music, Order, and Redemption
Richard Chase Smith
Semanticity and Melody: Parameters of Contrast in Shavante Vocal Expression
Laura Graham
Popular Music in Puerto Rico: Toward an Anthropology of "Salsa"
Jorge Duany
New Currents in "Música Folklórica" in La Paz, Bolivia
Gilka Wara Céspedes
The Guitarist-Singer of Pre-1900 Gaucho Literature
Richard Pinnell
Contemporary Composers in Costa Rica
Ronald R. Sider

Reviews

Die Musikkulturen Lateinamerikas im 19. Jahrhundert
Robert Günther
Review Author[s]: Antonio Alexandre Bispo
Music and Poetry in a Colombian Village. A Tri-Cultural Heritage
George List
Review Author[s]: Max H. Brandt
El siku bipolar altiplánico. Vol. 1: Los sikuris y pusamorenos
Américo Valencia Chacón
Review Author[s]: Thomas Turino
Baroque Music in Mexico
A Cappella Choir of UCLA, Roger Wagner
Review Author[s]: Lester D. Brothers

Spring/Summer 1984, 5:1

Articles

Cuban Elements in the Music of Aurelio de la Vega
Ronald Erin
Black Key versus White Key: A Villa-Lobos Device
Jamary Oliveira
Clare Boothe Luce, Carlos Chávez, and "Sinfonía No. 3"
Robert L. Parker
A Malandragem na Música Popular Brasileira
Ruben George Oliven

Short Contributions

La Música Popular en la Ciudad de México
Jas Reuter
Villa-Lobos e a "Melodia das montanhas": Contribuição à revisão crítica da pedagogia musical brasileira
Carlos Kater

Reviews

Information on Music: A Handbook of Reference Sources in European Languages. Volume II, The Americas
Guy A. Marco, Ann M. Garfield, Sharon Paugh Ferris
Review Author[s]: Robert Follet
A Paradigmatic Test of Acculturation
Charles Lafayette Boilès, Robert Falck, Timothy Rice
Review Author[s]: Anthony Seeger
Organología aplicada a instrumentos musicales prehispánicos: Silbatos mayas
Felipe Flores Dorantes, Lorenza Flores García
Review Author[s]: Arturo Chamorro
The Music of Brazil
David P. Appleby
Review Author[s]: Jamary Oliveira

Fall/Winter 1983, 4:2

Editorial Note
Gerard Béhague

Articles

Tradition and Innovation in Contemporary Latin Popular Music in New York City
Roberta L. Singer
The Marimba of Mexico and Central America
Robert Garfias
Texas-Mexican Popular Music and Dancing: Some Notes on History and Symbolic Process
José E. Limón
Algumas Novidades em torno à Atividade Musical Erudita no Período Colonial de Minas Gerais
Francisco Curt Lange

Reviews

Ese músico que llevo dentro
Alejo Carpentier
Review Author[s]: Gilbert Chase
Enciclopedia da música brasileira. Erudita, folclórica, popular
Marcos Antônio Marcondes
Review Author[s]: Luiz Heitor Corrêa de Azevedo
Villa-Lobos e o modernismo na música, brasileira
Bruno Kiefer
Review Author[s]: Ruth Gresh
Two Mexico City Choirbooks of 1717
Stephen Barwick
Review Author[s]: William John Summers
Rodolfo Halffter (su obra para piano)
Antonio Iglesias
Review Author[s]: Jaime González-Quiñones
Caribbean Music History. A Selective Bibliography with Musical Supplement
Robert M. Stevenson
Review Author[s]: Donald Thompson
Musik im Andenhochland/Bolivien (Music in the Andean Highlands/Bolivia)
Max Peter Bauman, Artur Simon
Review Author[s]: Thomas Turino

Spring/Summer 1983, 4:1

Articles

Corona y Baile: Music in the Child's Wake of Ecuador and Hispanic South America, Past and Present
John M. Schechter
The Charango and the "Sirena": Music, Magic, and the Power of Love
Thomas Turino
Mexican Women in Music
Esperanza Pulido
The New Rican Village: Artists in Control of the Image-Making Machinery
Marina Roseman

Reviews

Homage to Alberto Ginastera
Alberto Ginastera
Review Author[s]: Gilbert Chase
The New World
Léonie Rosenstiel
Review Author[s]: Juan Orrego-Salas
Música colonial cubana en las publicaciones periódicas (1812-1902), vol. 1
Zoila Lapique Becali
Review Author[s]: Lester D. Brothers
José Maurício - 1830-1980. Album Comemorativo
José Maurício Nunes Garcia
Review Author[s]: Gerard Béhague

Fall/Winter 1982, 3:2

Articles

The Intersection of Music and Language in Kuna Discourse
Joel Sherzer, Sammie Ann Wicks
Chirimías: Sondeo Histórico de un Modelo Islámico en América Hispana
Arturo Chamorro
Raíces y Tradición en la Música Nueva de México y de América Latina
Julio Estrada
Latin American Accents in "New Music"
Rita H. Mead

Reviews

Books

2 × 4 = Tango
Hilda Guerra
Review Author[s]: Ramón Pelinski
Arpa: Ave Fénix de la Música
María Cárdenas Montes
Review Author[s]: John M. Schechter
Tango - Verweigerung und Trauer, Kontexte und Texte
Dieter Reichardt
Review Author[s]: Franz J. Humpert
Regionalism and the Musical Heritage of Latin America
Joseph Arbena, Henry Schmidt, David Vassberg
Review Author[s]: Francisco Curt Lange

Record Reviews

Raquel Boldorini
Raquel Boldorini, Ginastera, Plaza-Alfonso, Cluzeau-Mortet, Tosar, Ipuche-Riva, Ponce
Tres Compositores Chilenos
Santa Cruz, Letelier-Llona, Soro, Orquesta Sinfónica de la Universidad de Chile, Víctor Tevah
La Guitarra Clásica en América Latina
Everton Gloeden, Ponce, Lauro, Carlevaro, Camargo Guarnieri, Brouwer, Nobre, Villa-Lobos
Review Author[s]: Roque Cordero
Orquesta del Tango de Buenos Aires
Carlos García
Review Author[s]: Ramón Pelinski

Spring/Summer 1982, 3:1

Articles

Latin American Ethnomusicology: A Discussion of Central America and Northern South America
Ronald R. Smith
Ecuadorian, Peruvian, and Brazilian Ethnomusicology: A General View
Gerard Béhague
"El Hijo del Pueblo": José Alfredo Jiménez and the Mexican "Canción Ranchera"
William Gradante
Guatemala a través de su Marimba
Carlos Monsanto
A Música Popular num Romance Brasileiro de Trinta: Das "Memórias de um Sargento de Milícias a Marafa"
Charles A. Perrone
A Musical Analysis of the Cuban Rumba
Larry Crook
A Latin American in New York: Alejandro Monestel
Charles T. Brown

Reviews

La música en Costa Rica
Bernal Flores
Review Author[s]: Gerard Béhague
Letters to the Editor [Letter and Bibliographical Supplement to: "The Rise and Fall of Indian Music in the California Missions"]
William Summers, Gary Tegler
Response to William Summers
Larry Warkentin

Fall/Winter 1981, 2:2

Articles

Music, Dance, and Song of the Chipayas (Bolivia)
Max Peter Baumann
Quichua Songs to Sadden the Heart: Music in a Communication Event
Barbara Seitz
"Viola de Samba" and "Samba de Viola" in the "Reconcavo" of Bahia (Brazil) Part II: "Samba de Viola"
Ralph Waddey
Danza de Concheros en Austin, Texas: Entrevista con Andrés Segura Granados
Pablo Poveda

Reviews

Books

Revista Musical de Venezuela. Año 1 (Mayo-Agosto), 1980
Review Author[s]: Sharon Girard
Funeral Music and Customs in Venezuela
Sharon Girard
Review Author[s]: Guy Bensusan
Músicos pernambucanos do passado. Tomo 3
Jaime C. Diniz
Review Author[s]: Gerard Béhague

Records

Facundo Gonzales, New Mexican Violinista
Facundo Gonzales, Kenneth M. Bilby
Dark and Light in Spanish New Mexico: Music of the Alabados from Cerro, New Mexico; Music of the Bailes from El Rancho, New Mexico
Melitón Roybal, Reed Cooper
El Ciego Melquiades: "The Blind Fiddler."
Chris Strachwitz
Review Author[s]: James K. Leger
Soul Vine Shaman
Neelon Crawford
Review Author[s]: John M. Schechter
Música Andina de Bolivia
Max Peter Baumann
Review Author[s]: Gerard Béhague

Spring/Summer 1981, 2:1

Articles

Magical Protection Songs of the Warao Indians -- Part II: Spirits
Dale A. Olsen
La "Nueva Trova": New Cuban Song
Rina Benmayor
The Rise and Fall of Indian Music in the California Missions
Larry Warkentin
A Structural Approach to the Rural Society and Music of the Río de la Plata and Southern Brazil
Daniel Mendoza de Arce
Trends in Recent Brazilian Piano Music
David P. Appleby
A Música Instrumental Xavante
Desidério Aytai
O Século XIX na Pesquisa Histórico-Musical Brasileira: Necessidade de sua Reconsideração
Antonio Alexandre Bispo

Addendum

As Minhas Cartas de Mário de Andrade (Adenda)
Luiz Heitor Corrêa de Azevedo

Reviews

Música tradicional de La Rioja
Isabel Aretz
Review Author[s]: Carol E. Robertson
Hispanic Folk Music of New Mexico and the Southwest: A Portrait of a People
John Donald Robb
Review Author[s]: James K. Leger
Festivals and Dances of Panama
Lila R. Cheville, Richard A. Cheville
Review Author[s]: Ronald Smith
Fenomenología de la etnomúsica del área latinoamericana
Luis Felipe Ramón Y Rivera
Review Author[s]: Gerard Béhague
Los Mensajeros del Paraguay
Mario Agustín Llanes, María Vecca, Zacarías P. Olmedo, Blas Alberto Velázquez
Review Author[s]: Guy Bensusan

Fall/Winter 1980, 1:2

Articles

Magical Protection Songs of the Warao Indians--Part I: Animals
Dale A. Olsen
Latin American Composers in the United States
Aurelio de la Vega
Type, Derivation, and Use of Folk Idioms in Ginastera's "Don Rodrigo" (1964)
Malena Kuss
"Viola de Samba" and "Samba de Viola" in the Recôncavo of Bahia (Brazil)
Ralph C. Waddey
Los conjuntos musicales ambulantes de Salzgitter y su propagación en Brasil y Chile durante el siglo XIX
Francisco Curt Lange
A Villa-Lobos Autograph Letter at the Bibliothèque Nationale (Paris)
Lisa M. Peppercorn

Reviews

A Catalogue of the Pedro Traversari Collection of Musical Instruments / Catálogo de la Colección de Instrumentos Musicales Pedro Traversari
Richard Rephann
Review Author[s]: John M. Schechter
Mapa de los instrumentos musicales de uso popular en el Perú
Review Author[s]: Tom Turino
Introdução ao Estudo da Música Indígena Brasileira
Helza Camêu
Review Author[s]: Anthony Seeger
The Latin Tinge: The Impact of Latin American Music on the United States
John Storm Roberts
Review Author[s]: Gilbert Chase
The Kennedy "Corridos": A Study of the Ballads of a Mexican American Hero
Dan William Dickey
Review Author[s]: Sharon Girard
Music from Saramaka: A Dynamic Afro-American Tradition
Richard Price, Sally Price
Review Author[s]: Dale A. Olsen
Selk'nam Chants of Tierra del Fuego, Argentina
Anne Chapman
Review Author[s]: Dale A. Olsen
Nelly y Jaime Ingram, Duo de piano
Nelly Ingram, Jaime Ingram, Manuel Infante, Roque Cordero, Francis Poulenc, Octavio Pinto
Orquesta Sinfónica del Brasil
Isaac Karabtchevsky, Nobre, Villa-Lobos, Santoro, Technical Unit on Music of the Department of Cultural Affairs (Executive Secretariat for Education, Science and Culture) of the Organization of American States, Brazilian Ministério de Educação e Cultura
Review Author[s]: Malena Kuss

Spring/Summer 1980, 1:1

Editorial Note
Gerard Béhague

Articles

Charles Seeger and Latin America: A Personal Memoir
Gilbert Chase
African Influences in the Rhythmic and Metric Organization of Colombian Costeño Folksong and Folk Music
George List
Cayetano Carreño: Identity amid a Musical Galaxy (Some New Data from Previously Unknown Sources)
Sharon Girard
Muñecas de Chiapaneco: The Economic Importance of Self-Image in the World of the Mexican Marimba
Theodore Solís
Ritual Structure in a Chicano Dance
Manuel H. Peña
Cuatro Ejemplos de Música Q'ero (Cuzco, Perú)
Rodolfo Holzmann
As Minhas Cartas de Mário de Andrade
Luiz Heitor Corrêa de Azevedo

Reviews

Cincuenta años de ópera en México
Carlos Díaz Du-Pond
Review Author[s]: Jaime González Quiñones
Music in Latin America: An Introduction
Gerard Béhague
Review Author[s]: Juan A. Orrego-Salas
La ópera en Colombia
José Ignacio Perdomo Escobar
Review Author[s]: Joseph L. Arbena
Textos sobre música y folklore
David Feferbaum, Hjalmar De Greiff
Review Author[s]: Joseph L. Arbena
Festival of Early Latin American Music
Latin American Musical Treasures from the Sixteenth, Seventeenth and Eighteenth Centuries
Blanco y Negro, Hispanic Songs of the Renaissance from the Old and New Worlds
Review Author[s]: Sharon Girard
Bahia: Traditional Music and Moments of Brazil
Jim Metzner
Review Author[s]: Ralph Waddey

Editor
Robin Moore
School of Music, MRH 3.210
1 University Station, E3100
The University of Texas at Austin
Austin, TX 78712-0435

Latin American Music Review publishes original articles in the fields of musicology and ethnomusicology, broadly defined, applied to Latin American musical expressions. Manuscripts, notes, and bibliographies should be typed double-spaced with ample margins, and submitted electronically as Microsoft Word (.doc) or Rich Text (.rtf) files attached to email sent to lamr@austin.utexas.edu. The total length of the article, including notes and bibliography, should be approximately 8,000-12,000 words. If score examples, photographs, or other diagrams are to be included, please attach them separately as graphic files (.tif or .jpg) with as high a resolution as possible (300 dpi minimum). Along with the article, please submit two short abstracts of 75-100 words each - one in English, and the other in Spanish or Portuguese. Underneath each abstract, please designate 4-6 keywords that pertain to your article. Also submit a brief biographical sketch of the author of approximately 75-100 words. Articles and reviews may be submitted in English, Spanish, or Portuguese, and formatting for punctuation, quotations, and capitalization should follow the conventions for scholarship in the language of the article. Formats for notes and bibliography are those of the Chicago Manual of Style or of the social science publications, such as Current Anthropology. Communications and books and CDs for review should be sent to the editor, Robin Moore, School of Music, 1 University Station E3100, University of Texas, Austin, TX 78712-0435.

La Revista de Música Latinoamericana publica artículos originales en los campos de musicología y etnomusicología, ampliamente definidos, dedicados a las expresiones musicales latinoamericanas. Los manuscritos, notas y bibliografías se deben redactar a espacio doble y márgenes suficientes, como archivos de tipo Microsoft Word (.doc) o Rich Text (.rtf), adjuntados a un email que se puede mandar al lamr@austin.utexas.edu. El tamaño total del artículo, incluyendo las notas y la bibliografia, debe ser aproximadamente 8,000-12,000 palabras. Si se deben incluir imágenes (partituras, fotos u otras figuras), favor de adjuntarlos como archivos gráficos (.tif o .jpg) separados, con la resolución más alta posible (mínimo de 300 dpi). Con el artículo, favor de incluir dos breves reseñas - una en español o portugués, y otra en inglés (75-100 palabras cada uno). Debajo de cada reseña, favor de incluir 4-6 palabras clave que pertenecen a su artículo. También incluya una biografía del autor de 75-100 palabras. Las materias se pueden entregar en inglés, español o portugués, y el formato para puntuación, citas y uso de mayúscula se debe seguir las normas para publicaciones en el idioma del artículo. Para el formato para notas y bibliografía, véase el Chicago Manual of Style o revistas de las ciencias sociales como Current Anthropology. Otras comunicaciones, libros y CDs enviados para reseñas se deben mandar al editor, Robin Moore, School of Music, 1 University Station E3100, University of Texas, Austin TX 78712-0435.

Manuscripts, Editorial Correspondence, and Review Copies: Robin Moore, School of Music, MRH 3.204, University of Texas, Austin, TX 78712-1208. (E-mail: lamr@austin.utexas.edu).

 

BOOK, CD, & DVD REVIEW GUIDELINES 

Latin American Music Review 

Reviews should be 800-1200 words. Fewer than 800 words is also acceptable, and may be more appropriate for CD and DVD reviews. Given space limitations, we ask that you do not exceed 1200 words

BOOK REVIEWS 

We recommend that you do not summarize chapter by chapter. The main goal of the review is to situate the publication vis-à-vis existing literature. Brief discussion of content is acceptable, but we stress that content needs to be evaluated in terms of its contribution to current work on Latin American music. You may wish to address the following: 

  • What are the author’s goals? Are they achieved? 
  • How does the publication contribute to the existing literature and current work on Latin American Music? 
  • What is the Target Audience? Who—specialists, music scholars, music instructors, graduate students, undergraduate students, performance students, the general public, etc.—would find the publication useful? 
  • Are the author’s arguments supported with compelling evidence? 
  • What is the author’s methodology? 
  • Brief comments on writing style; for example, is the writing clear? does the author employ technical language? 
  • Does the publication include musical examples/analyses? 
  • Does the publication include multi-media materials, such as an accompanying CD, mp3 downloads, or supporting website? 
  • A brief statement of the publication’s strongest and less-satisfactory aspects.

 

CD REVIEWS

You may wish to address the following: 

  • Comments on the liner notes: how useful are they? Who is the author? How is the material presented? its organization, conceptualization, languages etc. 
  • How does the CD contribute to exiting sources of similar genre, period, region, style etc. 
  • Is the music already commercially available? 
  • What is the recording quality? Are these field recordings? 
  • What are the goals of the CD? 
  • How useful is the CD for pedagogical or research purposes? 
  • Does the CD include additional video/online resources? 

 

DVD REVIEWS, should be treated as book reviews: Situate the DVD in relation to existing materials on Latin American music scholarship, the goals of the DVD, the target audience, its utility for pedagogical and research purposes, etc. 

FORMAT 

  • Times New Roman font and submitted as MS Word document. 
  • Please include bibliographic/discographic information at the beginning of the review. Place your name and affiliation at the end of the review. 
  • For citations, use a simple parenthetical style: “citation” (129). References should be kept to a minimum and included only when absolutely necessary. If citing an outside reference use: “citation” (Author, 2010: 213). Again, we ask that outside references be kept to a minimum

 

Please send reviews to the assistant editor atlamr@austin.utexas.edu 

 

GUIA PARA RESENHAR LIBROS, CDS, & DVDS 

Revista da Música Latinoamericana 

Resenhas devem ser 800-1200 palavras. Menos de 800 palavras está aceitável, e talvez mais apropriado por resenhas de CD ou DVD. Por causa de limitações de espaço, pedimos que não ultrapasse 1200 palavras

Resenha de livros 

Recomendamos que não resume capitulo por capitulo. O objetivo principal da resenha é situar o livro vis-à-vis a literatura existente. Breve discussão do conteúdo está aceitável, mas enfatizamos que o conteúdo precisa ser avaliado pela sua contribuição ao trabalho atual sobre a música da America latina. Consideria (Talvez gostaria/desejaria?atingir/tratar-se dos seguintes aspectos/questões/pontos: 

  • Quais são os objetivos do/a autor/a? Foram realizados? 
  • Como contribuir o livro à literatura acadêmica e/ou à pesquisa atual/contemporânea da música latinoamericana? 
  • Quem é o público-alvo? A publicação é mais útil quem, especialistas, acadêmicos, professores/as de música, alunos graduando ou pós-graduando, estudantes de programas acadêmicos ou de performance, o público geral, etc. ? 
  • Os argumentos de autor/a são apoiado com provas convincentes? 
  • Qual é a metodologia do/a autor/a? 
  • Breves comentários sobre o estilo de escrever; por exemplo, o texto está nítido? O/A autor/a usa linguagem técnica? 
  • A publicação incluir exemplos de partituras e análises? 
  • A publicação incluir materiais multimídia, como CD, mp3 downloads, ou uma web site que acompanha a publicação? 
  • Comentários sobre os fortes e menos bons aspectos. 

 

Resenha de CDs 

Considere (Talvez gostaria/desejaria?atingir/tratar-se dos seguintes aspectos/questões/pontos: 

  • Comentários sobre a encarte do álbum: São úteis? Quem é o/a autor/a? Como está apresentada o material?, sua organização, conceitualização, linguagens, etc.? 
  • Como contribuir o CD aos fontes existentes do mesmo gênero, período, região, estilo, etc.? 
  • A música já estava disponível antes desse novo CD? 
  • Informações sobre a qualidade da gravação? São gravações do campo? 
  • Quais são os objetivos do CD? 
  • O CD está útil para fins pedagógicas ou de pesquisa? 
  • O CD incluir recursos adicionais, como vídeo ou online? 

 

Resenhas de DVD, devem ser tratados como resenhas de livro: Situe o DVD em relação das materiais já existentes sobre pesquisa em música latinoamericana, os objetivos do DVD, o público-alvo, e a utilidade do DVD por fins pedagógicas e acadêmicos, etc. 

Formato 

  • Times New Roman font e entregado como documento de MS Word 
  • Por gentileza incluir a informação bibliográfica/discográfica no início da resenha. Coloque o seu nome e afiliação profissional no final da resenha. 
  • Para citações, use um estilo parentética simplificado, ex.: “citação” (129). Referências devem ser mínimas e incluídas só se for absolutamente necessário. Caso de citar uma referência externo use: “citation” (Autor/a, 2010: 213). De novo, pedimos que referencias externas sejam mínimas

 

Por favor, enviar resenhas a assistente editor: lamr@austin.utexas.edu 

Latin American Music Review is indexed in the Hispanic American Periodicals Index (HAPI), the IBR (International Bibliography of Book Reviews), the IBZ (International Bibliography of Periodical Literature), Academic Search Premier, The Music Index, and Scopus. 

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